Monday, 3 June 2013

Richard D Hall UK 2013 Tour - Birmingham Presentation

In any given day, I’m sure I could give twenty four hours’ worth of perfectly valid reasons why it would be in anybody’s best interest to take their television set and throw it in the garden! That said, and I believe I have said this many times before, there is one damn fine reason for keeping the old hypnobox around: Richplanet TV.

Richard D Hall’s excellent show has been on the air (in one form or another) for several years now and has done much to awaken folk to the larger realities of the world around us. Delivered with an informed and level headed honesty, combined with a wickedly dry wit, Richplanet has enlightened many to concepts like false flag terrorism, the flawed monetary system, media perceptual management, free-energy technology and the UFO question. Richard has interviewed a myriad of alternative researchers including; Dr Judy Wood, Andrew Johnson, Neil Sanders, Ian R Crane, Rupert Sheldrake, Anthony Beckett, Dave Hodrien and Ben Emlyn Jones, to name a few. He studied engineering at Newcastle University and spent twenty years in the profession, predominantly in software development.

Richard has recently concluded a UK wide tour and I was fortunate to be able to catch part of this latest tour when he stopped off in Birmingham. This year, the talk was one of two halves. The first hour consisted of a round-up of the current state of global affairs, including several major examples of the main mechanisms at work that perpetuate the current “truth stalemate”.

He began with a brief look at some recent news and commented on the Woolwich incident only by saying; “without a doubt, MI5 would have provided the tomato ketchup!”  The first hour was entitled “The 9/11 Cover Up, The Media and Money”. Richard highlighted the main problem being availability and reliability of information, with the central issue - the modus operandi of the mainstream media. Controlled by a handful of individuals, there is very little truth seeking in the mainstream media. He stresses that he doesn’t have an answer to this problem, which is why he puts out as much information on his show in the hope that one day someone will come up with a viable answer.

He admits that he has covered 9/11 (particularly the work of Dr Judy Wood) a lot in his shows, for a very good reason. The nature of perceptual management via the mainstream media is reflected perfectly in the 9/11 subject. Obviously many believe that Osama Bin Laden was involved in orchestrating 9/11 and he suggests that the evidence needed to present to these type of people is sometimes different from what is needed to examine the true nature of how and why the cover-up is orchestrated. Richard explained that this aspect of the talk would be geared toward ‘how’ certain parties have gone about covering up 9/11 evidence.

He, quite rightly, stated from the outset that the research of Dr Judy Wood (former professor of engineering mechanics) is the most comprehensive and detailed evidence currently available in the public domain. He also pointed to the seismic data and the largely undamaged state of the “bathtub wall” (the structure surrounding the area which includes the WTC complex and prevents the Hudson River from flooding the location) as particularly telling, as well as evidence that disproves all theories about the use of bombs, thermite, controlled demolition and mini-nukes in aiding the destruction of the twin towers. Her book (“Where Did the Towers Go?”) is, I believe, the definitive place to start if you want to find out what really happened on 9/11. Richard also showed some clips from interviews he has done with her on his show.

You can view Dr Wood’s most recent appearances on Richplanet TV at these links:
Dr Judy Wood - Energy weapon used on 9/11 & the cover up
http://www.richplanet.net/starship_main.php?ref=140&part=1

Dr Judy Wood - A lecture about WHAT happened on 9/11
http://www.richplanet.net/starship_main.php?ref=142&part=1

Dr Judy Wood - A lecture about WHAT happened on 9/11 - Part 2
http://www.richplanet.net/starship_main.php?ref=143&part=1


As Richard highlights, how interesting it is that (within 48 hours of the events) the BBC “think they know the mechanism that the towers disappeared.” This theory is still on the BBC’s website to this day. As he says; “compare that with ten years of research from a qualified professor of engineering mechanics. Five hundred pages, all the scientific evidence… this (holding up the piece from the BBC website) is laughable! I wouldn’t wipe my arse on this!”
He goes on to describe that the real evidence of 9/11 is classified technology that was used to destroy the towers. Moreover, it is technology that those in the know are still trying to keep classified. “They use it, they put it on display, and they say; right, there are going to be some people who will see through this. Like Professor Wood. So we’re gonna have to handle them.”


The 9/11 cover up is aimed at those who don’t believe the official narrative… aimed at people who analyse things critically. This has been done by creating bogus groups and researchers to steer those questioning the official narrative toward more conventional “explanations”. This is how part of the 9/11 cover-up has been handled. Richard also reminded the audience that intelligence agencies are well practiced in setting up fake websites, companies, and pressure groups, often with scientists on-board. He also showed how some of these scientists have campaigned with various groups to “re-investigate” 9/11. As he points out, subsequent “investigations” have been a whitewash so why would a “re-investigation” be any different?

Andrew Johnson has worked tirelessly to expose this side of the cover-up, having experienced some of the mechanisms of these groups first hand. He came to understand that certain groups and individuals were working to manipulate and muddle legitimate questions and research about 9/11. The evidence is documented in his book “
9/11 – Finding the Truth”.

Richard also emphasised the importance of Dr Judy Wood’s RFC. On March 16th, 2007, NIST logged the receipt of a Request for Correction (RFC) to their WTC reports by Dr Wood. Her RFC laid out the evidence of one or more Directed Energy Weapons being used to destroy most or all of the WTC Complex. Any scientist can submit a Request for Correction. Dr Judy Wood challenged NIST’s report, which subsequently knocked it back. Dr Wood appealed against the decision not to include her RFC. The appeal was also knocked back.

As Richard illustrates, “the only avenue open to a scientist then is to take legal action. To sue the contractors who were involved in writing that report for science fraud - which is what Dr Wood did. She took it to a local court, the judge threw it out and he came up with ridiculous comments about the moon landings. Then she paid $5,000 (for document preparation) to have it heard at the appeal court, but the appeal was denied. Then she took it to the Supreme Court. So the point is that she’s taken it to every court in the land (United States) to try and get this evidence in. You’re probably not going to win against the government if the government have had a hand in it in the first place. So the point is, she was prepared to put her evidence in a court and take it through every legal process.”

Interestingly, on April 12th, 2007 (just a few weeks after she submitted her first RFC), Dr Steven Jones, Kevin Ryan and Richard Gage submitted a RFC to NIST’s WTC reports. These three individuals were promoting the ‘thermite’ theory. Richard noted that Dr Steven Jones was involved in covering up a discovery in 1989 which (had it been developed at the time) would have now seen us “driving around in cars NOT powered by petrol… it was one of the most important discoveries of the 20th century. This guy, Steven E. Jones, was instrumental in covering that up.”

In Richard’s words; “This group, in my opinion, have only challenged the government report because they’ve seen that Judy Wood has… Their RFC does not mention thermite in the content of their research, but only as an arbitrary example of a hypothetical analogy. In other words they were being extremely tentative about saying; yes, we think it was thermite. They didn’t really say that. They did not take it to court either. They didn’t take legal action which is what Dr Judy Wood did. They didn’t take it to the local court. They didn’t take it to the appeal court. They didn’t take it to the Supreme Court. So they weren’t prepared to stand in a court and say ‘we think bombs or thermite destroyed these towers.’ You have got to put that in mind when you’re deciding who you think is actually speaking the truth here.”

He also discussed Abraham Rodriguez who wrote to Richard Gage of Architects and Engineers for 9/11 Truth regarding Dr Judy Wood’s research. Rodriguez had supported the AE911 group’s petition for a “New Investigation”, but his name was “silently” deleted from the petition after he wrote to Gage. Rodriguez subsequently challenged Gage on this issue at one of his talks, raising the magnetometer information, the patterns of destruction at the WTC Complex, the Bathtub Wall, and so on. Gage replied; “I’m not gonna present every piece of evidence out there that I can’t explain. What good would that do me or you!?” Rodriguez also asked him why he hadn’t presented the thermite perspective in a court of law (relating to the RFC). He replied; “We are Architects and Engineers! We have produced the evidence for you to do whatever you want to do with it!” He then starts to talk about his time and what he earns and finally says that this kind of questioning confuses people and distracts them from “evidence that we believe is more solid….” He also says that “we do censor people’s profiles.”


Richard then discussed the Horsham Hearing in February 2013. This involved an individual named Tony Rooke who wasn’t happy with how the BBC covered the events of 9/11, so he decided not to pay his TV license in protest. Richard believes that Rooke has been misled in some manner.  At the hearing, roughly one hundred people turned up in support.
In a Mailonline article, an image was included showing a number of individuals outside the court holding a banner reading “Remember, remember… the 11th of September… thermite, treason and plot”. Richard states that he is suspicious of something with this scenario given that the banner heavily promotes the thermite perspective on 9/11. He also says that the “staging” of those holding the banner appears very premeditated “as if these guys were possibly even working with the photographer from the Mail.” Tony Rooke can be seen in the photo with his hand on the poster. Richard also pointed out Ian Henshall, who appears in the background of certain photos. Henshall promoted the event and wrote reports on his website. He is also responsible for a UK-based group known as “Re-investigate 9/11”.

Henshall sent out emails to people who might be attending the Court Hearing. In one email he said that at least one mainstream media crew would be in attendance. So he knew beforehand that there would be a mainstream media presence in some form. Through Henshall’s email message, Tony Rooke asked attendees beforehand, NOT to talk to the media and NOT to hold up placards “which do not represent his views… activist attending the hearing are asked to make sure that any signs represent the message of his campaign: that the BBC has covered up the truth about 9/11. Those with signs saying anything speculative to a general audience (e.g.: 9/11 was in inside job) would be seen as undermining the court case.”

Richard believes that it shouldn’t be too hard to find out who the people in the photograph (holding the banner) are – after all, the UK 9/11 activist community does not number in the millions. He placed an appeal on his TV show to find out who they were. He had one email reply after the appeal – from Tony Rooke. Rooke told him he was a bit annoyed by the suggestions that there may be a double cover up angle, that Richard was being used by certain parties to put out a false view. Richard replied, asking him why he hadn’t brought the evidence presented by Dr Judy Wood into the courts. Richard also said that he wanted to know who the guys holding up the banner were. “You’re standing their holding the poster with these guys; you must know who they are.”

Rooke replied; “I don’t know who the f*** did what, used what, to do what on 9/11! But I do know the official story stinks. I am very unpopular with a few 9/11 groups because I will not follow Dr Judy Wood, weapons of whatever, or holograms… because I do not care! I have no idea who brought the banner, nor do I know the identity of the man behind the Guy Fawkes mask.”

Richard then decided to email Ian Henshall to see if he could shed any light on the matter, asking him if he knew who made the poster or who was holding it up. Henshall replied: “No. I don’t know who they are. They asked me what I thought of the poster and I said personally I do not think a lot of it, but they should ask Tony. I assumed from this picture that they had Tony’s approval.” Richard emailed him again to thank him for his response and reiterated his desire to identify those in the picture. He asked him if he would send him his distribution list in order to ask people on the list if they knew the identity of those pictured. Richard is still awaiting his reply…

It is curious that Henshall is on record as saying that; “Andrew Johnson is personally the biggest single cause of the collapse of the 9/11 truth campaign in the UK.” Knowing Andrew as I do, I personally find this statement absolutely ludicrous! Richard’s response was simply to press his “bulls*** detector” button! He also noted that Henshall’s father worked for MI5 and his mother also worked for British Intelligence. Curious that…

Richard believes that, at some level, a decision has been made to allow certain aspects of 9/11 research into the mainstream media. Providing it suits the media’s preferred agenda. This raised the larger issue of media control. He discussed 7/7 and the amazingly coincidental circumstances that surrounded Peter Power’s mock terror drill exercises that just happened to take place on the same day, at the same time, in the same locations. Surely just random chance that one!! Richard has been running a long campaign encouraging people to “tell your MP about 7/7”. He was surprised, upon approaching his own MP, to learn that they knew nothing of the evidence that contradicts the 7/7 official narrative.
 
He quite rightly observed that real change on these issues can only occur if we can reclaim some control over mainstream media output. He admits that in the early days of his TV show, he was quite naïve in believing that the sheer weight and validity of certain areas of research would undoubtedly filter through to the mainstream.  He says; “I have come to the conclusion that I could have George Bush sitting on my sofa saying that 9/11 was an inside job and it still wouldn’t get in the mainstream media, honestly!” He says that there is a wall that blocks information moving from independent media to the mainstream.

The only time this appears not to be the case, is when it is a psy-op or contrived from the outset. He also cited the G4S Olympic scandal as an example here, something that started in the alternative media and filtered through to the mainstream.

I have written pages upon pages about the Olympics (from all conceivable angles!) on this website and discussed the G4S aspect in my talk late last year. Although I agree with Richard, the whole build up to the Games reveals something far more bizarre specifically directed at truth seekers. I also have some circumstantial evidence suggesting that certain researchers helped to contrive the initial events, either knowingly or unwittingly.

Another example of cross-pollination between alternative and mainstream media is in the form of ridicule and debunking. Richard talked at length in last year’s tour about the nature of the “hit piece”. He also talked about infiltration of the alternative media with “copycat” radio, internet and TV shows. He is investigating the subject currently but believes he doesn’t have enough evidence yet to fully implicate certain parties. The understanding here is that intelligence agencies and the like, have a real degree of control over the mainstream media now, but they haven’t yet cracked the alternative media – a situation that they seem to be working very hard to correct. Richard noted that the moves are now being made on the internet. This is obvious really given how much exposure to the masses it now gets.

Richard covered aspects of media control in his previous 2012 Tour which can be viewed here: RDH's 2012 Tour Fake power politics, and a woeful corrupt media -
http://www.richplanet.net/starship_main.php?ref=125&part=1

One of the main aspects that appears to have reared its head currently, is (as Richard calls it) “The Phoney Bone of Contention”. This is a contrived controversy over two seemingly opposing viewpoints, encouraged in order to divert attention away from a third viewpoint which is being concealed. Sometimes controversy and discussion over two seemingly opposing viewpoints is encouraged, in order to reinforce credibility of a subtextual issue, which is itself a fake construct. A good example of the latter point is the mainstream approach to 7/7.

Richard cites the BBC’s “Question Time” (or “Questionable Time” as he puts it!) as a perfect example of “The Phoney Bone of Contention”. The choices of two opposing viewpoints are spoon fed to us (much like the farcical “choosing” of political parties to vote into government), completely sidestepping the larger issue.

The political framework was touched upon at this point, with the larger mechanism of money as the central issue. Here, he clarifies the real solutions to “economic woes”: end fractional reserve banking, end the use of the usury system, and allow governments to issue currency – rather the current system of borrowing it. He highlights another problem for humanity, which is the amount of time and money it takes to accumulate “stuff”. How much stuff do we really need? Our desire for “stuff” has been artificially inflated requiring larger amounts of money and therefore more time spent working to earn the money for the “stuff”. This why we have so little spare time and ultimately why we have so little time to stop and think about the predicament or truly how to get out of it. Free time gives us the opportunity to think, critically analyse and learn.

He also underlines the problem by exposing the mentality of ruling elites - quoting Zbigniew Brzezinski (from his 1969 book: Between Two Ages: America’s Role in the Technotronic Era); “The challenge for government in the future will be to prevent man from effectively discovering his true self, and keeping humanity locked in consumerist materialism.”
Richard also took the opportunity to quickly look over the testimony of Lisa French and the tragic shooting in the face of P.C. David Rathband. He looked at this subject in depth in last year’s talk and is a subject worthy of a talk in its own right.

Richard also redressed some of the research of alternative historians Alan Wilson and Baram Blackett and talked about a £50,000 reward which has been made available by one of their supporters, to anyone who can provide information that leads to a conviction for the attempted murder of Baram Blackett on Sunday 14th August, 2011.

You can previous aspects of Richard’s Wilson and Blackett coverage here:
Wilson & Blackett - The Wilson & Blackett Conspiracy - http://www.richplanet.net/starship_main.php?ref=127&part=1

The second hour of the talk was an analysis of his latest investigation into some of the UK’s more recent UFO sightings, including emphasis on the bizarre “black triangle” phenomenon. Much of this work has been collected together for his latest documentary film; “Almost Identified Flying Objects” and includes witness testimony and interviews with a number of those people involved. These sightings consist of over 350 reports that have been received by Richard over the last two and a half years. “Without any doubt there are silent, aerial vehicles, some of them triangular, some of them huge proportions, in our skies which are not being flown from UK military bases.” Interestingly, Richard put out the blurb for the film on his website on the 10th May.

On the 14th May, the Mail Online published an article (including images and a video): “US stealth drones launched from aircraft carrier by remote control.” He expounded how this article would have been sanctioned (probably put out) by the UK’s Ministry of Defence to make people aware that craft of this type are being flown from aircraft carriers. In the images, the technicians are wearing earmuffs; this is because the craft has a large and very loud jet engine. Perhaps less than coincidentally, the craft appears triangular in shape. Richard maintains that this has been put out there to “muddy the waters”, a kind of plausible deniability, especially if you look at the testimonies he has investigated for the film.

The initial volume of reports he received was immediately halved given that they could easily be explained as misidentified Chinese lanterns and remote control model aircraft type devices. Some of these latter devices are capable of extraordinary manoeuvrability with some enthusiasts even attaching coloured L.E.D. lights to them so they can be flown at night. 

“Probably the most controversial aspect of the UFO subject is whether or not some UFOs are non-human in origin. And people who won’t entertain that view generally use the argument; ‘well, it’s much too far to the nearest star (four light years away) and no one can travel anywhere near the speed of light so it would be impossible for them to get here. Why wouldn’t they just land on The White House lawn?’ These are the sort of arguments people use. They’re pretty narrow-minded arguments because they assume that we know everything about physics and we know everything about the universe… and we definitely don’t. The other thing it ignores is the possibility that they are closer than we think, that there may be bases in the solar system or even on the earth.”

Richard also addressed the possibility of collaboration between possible ETs and terrestrial branches of the military and intelligence agencies. He looked at some of the witness testimony of the Roswell event as an example of where this collaboration may have originated. Certainly there is evidence showing that elements of whatever crashed in 1947 ended up in the hands of various branches of the military / industrial complex. He also mentioned Bob Lazar who claims to have witnessed nine craft being stored at S4 near Area 51. Lazar’s job was allegedly to try and decipher the propulsion system of one of the craft. Lazar’s story has recently been corroborated by a CIA official who gave information to UFO researcher Richard Dolan showing how he was sent to S4 under the orders of President Eisenhower. Richard also discussed the testimony of Dan Sherman who appeared to have once been drafted into a top secret NSA project involving “intuitive communication”, where he was trained to mentally mimic certain tones eventually allowing him to interface his mind with technology and control it. There was no technological interface and appears to have been one of an almost “psychic” nature.

Michael Schratt (Aerospace historian) was also mentioned. He has documented numerous cases of “secret aircraft”, most of which covers declassified craft built by Lockheed Skunk Works during the 1980s. In his research, Schratt discusses the TAV low-Earth orbital craft, amongst other examples and also covers the TR3B. Richard says that many people dismiss the idea of ET UFOs as sightings of experimental aircraft. Some people ask why test craft would be flown over civilian populations centres in the UK. It was revealed that a US top secret spy plane crashed at the Boskam Down experimental aircraft base in Hampshire in 1994. There was also an experimental aircraft crash in East Germany in 1989. This does explain many aspects of the phenomenon, although as Richard says, “it doesn’t explain all of them.”

The case files used in his documentary film were gathered between August 2010 and December 2012. There were initially 350 reports - 188 were discarded as explainable or didn’t have enough information to warrant investigation, whilst 162 remained in the database. Of the 162, he was able to conduct 25 lengthy telephone interviews and interview 12 on film. As part of the research, he also interviewed three prominent UFO researchers: Dave Hodrien, Gary Heseltine and John Hanson (the latter two are retired police detectives.)

The 162 reports were broken down into four categories: Spheres, Black Triangles, Discs/Saucers, and others. The most common was the sphere – broken into categories of small (football sized), medium (bigger than a car), large (bigger than a house) and multiple spheres. Some of these appeared metallic in form; others had the consistency of glowing balls of energy.  The triangle sightings fell into two categories: the typical size being described as “the size of a football pitch”; with the others smaller. There was a number of what he calls “classic flying saucer” cases- categorised as either small or large.

Many of the triangle sightings were black in colour, usually silent, often with a number of “lights” on the corners or along the edges.  Richard described how triangle sightings became more prominent from the late 1970s onward, with a “flap” in the Hudson Valley region of New York State in 1981. There was also an infamous spate of sightings in Belgium in 1990, some photographed in relatively high quality. F16 fighter jets were scrambled by the Belgium Air Force to try and intercept these craft but were outmanoeuvred in every case. Professor Emile Schweitzer, one of Belgium’s leading radar experts examined the aircraft data and concluded that these were real returns from real objects moving around the sky. One case recorded a craft doing a full speed sharp 90 degree angle turn upwards. If a craft moving in a normal Newtonian manner had tried doing such a thing, the acceleration (a turn a 30gs) would have instantly killed anybody inside the craft. Schweitzer concluded that he didn’t know how that could have been done with the then currently “known” level of technology. Schweitzer was asked to meet with MoD officials and a video interview was recorded with him.

In 1988, there was a “flap” in Staffordshire (my corner of the world and I remember it well!), specifically Cannock Chase. In 1997, there was another prominent case in Sheffield. Evidence shows, again, that UK military fighter jets were scrambled to intercept. There is evidence that one of the chase planes in this incident actually crashed on or near Howden Moor.

Richard then showed the video witness testimonies included in the film. There is a huge amount of information here, so I am just going to give an overview of some of the key factors. However, the film is well worth watching if you are interested in the subject. The film is available to purchase from Richplanet.net and Richard hopes to air it on Showcase TV (Sky Channel 191 / Freesat Channel 400) at some point during June.

“Almost Identified Flying Objects” -
http://www.richplanet.net/dvd50.php

The key aspect of the triangle phenomenon seems to be the lack of noise. In a few cases, a low pitch humming could be heard. Some appeared to be structured with “girder” like characteristics across the surface; others appeared to have no rivets or joins to the overall structure. They usually appeared to move at a very slow speed, almost as if they were “drifting” across the sky on a set course. It was often noted that there were no emissions or smells. Some craft appeared to “wobble” or “shimmer”, possibly as a result of some sort of field based propulsion system. Some craft were witnessed as close as 100 feet away. Some flew in pairs, groups of pairs, or overall groups. Many were described as “football pitch” sized are much larger. One witness recounts how a triangle flew over his car and he subsequently lost three hours of time. He awoke the next morning with a triangular mark on his chest.
 

The evidence seems to indicate certain hotspot regions in the UK. The West Yorkshire / Lancashire border region is one particular area. They are also grouped areas of sightings spanning Staffordshire, Derbyshire, Lancashire and Cheshire. Richard also drew attention to the mountainous terrain north of Todmorden, particularly interesting given the number of lakes and sparse population. Jenny Randles’ “Pennine UFO Mystery” was cited. This occurrence at Ogden Reservoir in 1980 has given a number of UFO researchers cause to wonder that there may be more to the region. Richard speculated if the reservoir or a nearby lake might serve as an access point for craft to launch from / land in a subterranean hanger of sorts. This also brought up the myriad of discussions regarding witness sightings of craft rising into and out of several Earth oceans and also the theories about the Antarctic region housing various bases. Richard talked about the various sightings over war-torn regions and showed the RT News footage of triangular objects over Palestine.


With regard to the sphere sightings, some appeared like small “ball bearings”; whilst others glowed. They often hovered low to the ground, followed by sharp changes in speed and direction. There is a concentrated area of these sightings in the South Wales region. The disc sightings varied in characteristics. They were usually metallic in appearance but varied in size. Their movement was fluid and capable of sharp direction and speed changes. There appears to a number of interesting disc encounters in Scotland. In October 2000, discs were witnessed across a wide region. It is curious that the witness reported that on the same day, a Merlin helicopter crashed nearby, as did two fighter jets – which crashed in the border region.

The remainder of the talk was given over to some of the more famous UK cases (such as the Berwyn Mountain case) and circumstances where UFO researchers appear to have been persuaded to join the Ministry of Defence or Intelligence Services’ payroll and start to muddle and debunk cases. On occasion, some have changed their views on UFOs completely. Richard declined to divulge names however, due the possibility of libel cases. Although he did say that if you look hard enough, you can figure out who they are!
 
Richard also addressed the possible propulsion system for some of these craft, utilising some kind of field effect. Through such a process, it may be possible to create a gravitational effect with mass-like fields in specific locations to move an object in relation the gravity force. In 1920, Thomas Townsend Brown patented a gravitator device which was charged to a high voltage and a force created on an object. Although there was no anti-gravity effect, he was able to measure the force. Richard also noted the physicist, Dr Paul A. Laviollette, and his work – “Secrets of Anti-Gravity Propulsion”. Of course, all this stuff kind of goes over my head a bit! There is some fascinating research out there worth looking at, just don’t ask me to explain the science though!!
The talk ended with a thought provoking perspective from Richard: with all the emphasis on gathering evidence (despite the efforts and validity of the current methods), it may be that we have missed a key factor that could lead to the answers. As Richard simply asks; “Where are these craft going? Where are they located when not in flight?” Certainly in the case of the oft-slow moving triangles, is it not possible to narrow down the area and find out for ourselves? Oftentimes, the simplest solutions are the most obvious! In his opinion, this may be crucial to finding quantifiable evidence and blowing the lid off the whole phenomenon.
Afterwards, Richard took many interesting and varied questions from the audience and even turned the floor over to Andrew Johnson and Dave Hodrien (who were also in the audience) for a number of specific questions. At the end, Andrew (Johnson) made the comment that he thought that one thing in common between the Flying Triangle Phenomenon and the investigations into 9/11 is that they can reveal the use of advanced, black technology that has the potential to change the world completely - if the reality of such technology was known and accepted by the general population.
The day was well received by everybody who came and, although I had difficulty in counting accurately, I have it on reliable authority that there were a good one hundred and thirty people in attendance. Despite the glorious sunshine, I don’t think anybody minded being closed up indoors for several hours – a matter certainly proven true given the amount of discussion that flowed over into the street as folk left the theatre.
 

All in all, it was a thoroughly informative and enjoyable day, and a testament to the hard work of Richard D Hall and Richplanet TV. Long may the show (and his work) continue! I must also say a big thank you to Andrew Johnson who got me there and back safely on the day. It’s always good to catch up again my friend! I am working hard on writing a book at the moment and I had the chance to discuss with Richard the possibility of my being on the show at some point later in the year and talking about the subject of my book. Although still tentative at the moment (I’m only part way through writing it!), hopefully it will be something to look forward to. I will let you know more as and when, so watch this space…

Until Next Time!
The Truth Seeker’s Guide.


Saturday, 18 May 2013

Richard D Hall - 2013 UK Tour Details

Richard D Hall, host of Richplanet TV, will shortly be commencing his 2013 UK Tour.
Some of the venues have sold out so if you wish to catch one of his talks, now is the time to book your seats.


Richard has consistantly presented some of the finest alternative researchers on his show, as well being a comprehensive researcher in his own right. If you live in the UK and have the opportunity to get to one of his talk, I can thoroughly recommend him.
You won't be disappointed!
 

2013 UK Tour details from the richplanet.net website:

Ticket price is £10, plus 90p for paypal charge & postage. Once you purchase your ticket(s) you will receive them in the post within 28 days. NOTE If you buy a ticket AFTER 15th May 2013, please print out your paypal recepit as proof of purchase and bring it, as a physical ticket will not be posted out after that date. The evening events will start usually at 7:30pm and go thorugh till 10:30pm. The afternoon events will start at noon and finish at around 4pm. There may be minor changes to the venues & dates listed so please check the website on or after 1st November, all venues and dates will be 100% confirmed by 1st November 2012.

An update on all Richplanet subjects will be covered in the talks. More detailed information on the subject areas will be posted on this page in the coming weeks. There will also be plenty time for discussion or questions.
 
Richard is liasing with a number of objective UFO researchers and has also received testimonies from hundreds of UFO witnesses. These testimonies have not been published before. Findings from the research will be presented in the talk. Taking a 100% objective study of UK UFO reports in recent years and in past decades it is possible to build a reasonably accurate picture of the unidentified objects that are in our skies. What they look like, and even the technology which may be being used to power them. Once we have described and proven the nature of these craft, we can then start to address the question, who do they belong to and where are they originating from? Also covered in this section will be an expose of how the subject is being mis-prepresented by a host of bogus individuals (pretenders) who have been put out into the "UFO research" field, and also certain researchers who have been bought off to encourage them to muddle up, cheapen and discredit one of the most important issues on the planet. 
 
Continuing from last years talk about the mainstream media this years talk will go further to expose what is being done not only to control mainstream media, but also to control what is termed "the alternative" media. It seems that in terms of information, the new threat was coming from the growing area sometimes known as the truth movement. A number of very questionable organisations, TV and radio shows (more pretenders) have been put out in the last few years some of which are the opposite of what they purport. As Lenin once said the way to control the opposition is to lead it ourselves and this is what is happening in the so called alternative media. 

Updates on the Wilson and Blackett conspiracy and an update on the Richplanet 7/7 campaign will be included. 

A number of other research areas will be covered, some of which will not be specified here as I want to keep my powder dry so to speak.

Full details and ticket purchasing can be found at the following link
http://www.richplanet.net/events.php

Dates & Venues:

Gateshead
Sun 19.5.2013  12 noon
Powerleague, Dunston, NE8 2HD SOLD OUT
 
Glasgow
Tue 21.5.2013  7:30pm
The Iron Horse, 115 West Nile Street, G1 2SB SOLD OUT 


Leeds
Wed 22.5.2013  8:00pm
Northern Ballet, Quarry Hill, Leeds, LS2 7PA 


Liverpool
Thu 23.5.2013  7:30pm
Adelphi Hotel, Ranelagh Street, L3 5UL

Birmingham (Bedworth)
Sat 25.5.2013  1:00pm
Bedworth Liberal Club, 22 King Street, CV12 8HT

Weston-Super-Mare
Tue 28.5.2013  7:30pm
Grand Atlantic Hotel, Beach Road, BS23 1BA  


Southampton
Wed 29.5.2013  7:30pm
Southampton Park Hotel, 12-13 Cumberland Place, SO15 2WY


Reading
Thu 30.5.2013  7:30pm
Reading Irish Centre, 96-104 Chatham St., RG1 7HT


London
Fri 31.5.2013  6:30pm
Indian YMCA, 41 Fitzroy Square, W1T 6AQ


London
Sat 1.06.2013  1:00pm
Leytonstone School, Colworth Road, Leytonstone, E11 1JD

Wednesday, 8 May 2013

Getting Serious about "Sirius" - Andrew Johnson

Here is an excellent article written by Andrew Johnson reviewing the recently released film: "Sirius" - the long term project involving Dr Steven Greer. Andrew has made some interesting and important observations about the project, that relate to some research I am currently doing. I have reposted the article below. The original article, containing all weblinks relevant to the subject, can be viewed here:
http://www.checktheevidence.co.uk/cms/index.php?option=com_content&task=view&id=374&Itemid=51

Getting Serious about "Sirius" - Andrew Johnson - 06 May 2013
I wanted to post a review of the new Sirius film because of the long “build up” to its release –and the apparent level of attention it has garnered on the internet. It seems to have a substantial and fairly well-organised marketing campaign behind it – such as ads embedded on websites (e.g. http://www.openminds.tv/ as of 28th Apr 2013).

At one time, I may have been more enthusiastic about the release of such a film. In the last few years, I have become sceptical of the way Dr Steven Greer has been “doing things”, even though he is the reason I got "into this stuff" heavily in 2003. Over 4 years ago, I ended up writing an article, about why I have no confidence in what Greer has been doing. A related article has been written by my friend, David Shewchuk, and this was posted  on Henry Makow's site. It's fairly short and very worthwhile reading – even though it covers some of the troubling events which have occurred in connection with Greer’s investigation into the UFO evidence (such as the death of New Mexico congressman Steven Schiff).

Advertising and Marketing
Before discussing the Sirius film’s content, I would just like to note what adverts/postings for the film typically show online. Various embedded panels will show “Watch Sirius instantly for $9.99; Available for a 72-hour rental period; Buy the DVD for only $19.99”. One puzzle to me is that it is said that the film has been “crowd-funded”, yet it is now being sold – so do the crowd funders get a share of the returns? Maybe not – I don’t know how these things are set up. Now, of course films with production values like Sirius are expensive to make – if you choose to make them in the way that Sirius is made. Perhaps I am biased – because I try to give away all the material I compile either for free or at close-to-cost price.

Nevertheless, because of the glitzy-packaging of information in today’s CGI-loaded visual media, I can appreciate a requirement for more “attention grabbing production”. One could argue for lengthy periods about the relative merits of “giving away things for free” and/or “making things cheaply” or giving them a “professional, contemporary feel and look.” Higher production quality can attract higher numbers of viewers or hold viewers’ attention for longer, perhaps. Or, if viewers are truly interested in the information, does a more basic and less expensive presentation suffice?

The Beginning of the Film
The setting at the very beginning of the film, a lecture by Steven Greer – and people are entering the building – and being body-scanned by a security person of some kind. Soon after this is shown, the narrator (Thomas Jane) says “Most people don’t know what a dead-man’s trigger is…” – well, googling this phrase reveals some odd definitions – most relating to TV or movies, it seems. However, it seems to be a peculiar way of starting this film. In the first 7 minutes of the film, Ted Loder and Laurance Rockefeller are mentioned. It is not mentioned (not that it necessarily should be) that Loder is Greer’s cousin, but no real evidence of any kind at all is discussed – and it becomes clear that the style of the film is one of “docu-drama” – or something similar to that. The film runs for about 1 hour and 50 minutes (but there are an additional 6 minutes of “credits” at the end, listing those who helped fund the film).

Atacama Humanoid - Evidence
Let us now turn to one of the “items” which is given the most exposure in the film – the so-called “Atacama Humanoid” (“Ata”). As far as I can recall, this only came onto Greer’s “Radar Screen” after the Sirius film was first announced. Stories of this were circulated on alternative talk shows like “Coast to Coast” for some months – yet the “humanoid” itself was discovered in 2003 – again over 10 years ago. Thankfully, the documentation about “Ata” can be found (free) on the “Sirius Disclosure Website” in a Synopsis by Steven Greer, a Report and Summary by Dr. Garry Nolan and a report on Radiographic Imagery (X-rays) of the being by Dr Ralph Lachman. Neither the film nor the documentation give a definitive answer for what “Ata” actually is. The film briefly discusses that tests show that the mitochondrial DNA is more human-like than non-human. Curiously, there is no discussion of any nuclear DNA tests on the being. Readers who have followed Lloyd Pye’s “Starchild” research would probably agree that the Starchild Skull is rather more compelling evidence of a non-human (and non-primate) being (but superficially human in appearance) than what the data from “Ata” has so far shown.

Another analysis of some of the photos by “Paolo V” suggests “Ata” it is indeed a foetus and not a 6-year old child. Paolo V  suggests the lower 2 ribs have not developed and so there are only 10 in total. He points out the lack of developing/developed teeth (which would be seen, in some form, in a 6-year old child).

I have to point out that the “Starchild” skull – and much other evidence outside the “Greerosphere” is not mentioned in any way, shape or form in the Sirius film.

UFO Evidence Discussed or Mentioned
The film jumps around between different areas of evidence – and has a of “flash editing” in many places – switching between one of Greer’s lectures or “retreats” and then segments of witness testimony. Copying directly from my notes, the following topics are touched on – just within the first 18 minutes of the film: Black budgets, Ancient nukes (brief appearances by Michael Cremo and David Wilcock), ET’s/UFOs in paintings etc, Sightings from 1950’s onwards, Wilbert Smith (captioned “Wilbur Smith” in the film), footage from the “Tether” incident (Space Shuttle Mission STS75), bits of testimony from some Disclosure Project witnesses, footage from one or more CSETI expeditions and then the 1992 Gulf Breeze sightings (Florida), which Dr Greer contends was initiated by what his group were doing in attempts to communicate with ET’s at that time.

UFO-related topics that are covered include the Phoenix Lights (1997) with Dr Lynne Kitei and also Fyfe Symington’s “U-turn” about them, some Space Shuttle Footage. MUFON is also mentioned and we get to hear most of Dr Robert Jacobs’ account of his experience as a USAF photographer in 1964, but it’s not as well-presented as in James Fox’s 2003 documentary “Out of the Blue” (which Greer was also involved with). Statements by Carol Rosin and Clifford Stone are also shown.

Free Energy Evidence Discussed or Mentioned
The film covers many different important topics – with perhaps only 1 or 2 minutes devoted to each one. Energy related topics include a mention of John Searle, Thomas Townsend Brown, Dr Eugene Mallove, T Henry Moray and Tom Bearden (but for Tom Bearden, please also see this article). Tom Valone also appears several times to discuss some of his experiences.

9/11 and Secrecy
The events of 9/11 are covered very briefly, and a, somewhat generalised, statement is made that “it is hard to concretely prove 9/11 was a false flag attack”. This is followed by short coverage of Kennedy’s “Secrecy” speech, Cynthia McKinney’s question to Donald Rumsfeld on 10 Sep 2001 about “the missing trillions” and there is mention of SAPS, USAPS and Black Projects. Of course, no kind of link between 9/11 and Black Projects is implied or openly stated – the only possible clue that is given is that these things are covered one after the other in the film… No mention is made of the direct, established connection between the “free energy” issue, cold fusion and 9/11, as shown in the research of Dr Judy Wood in her book “Where Did the Towers Go?”.

Consciousness and Contact
One of the other topics mentioned is the all important one of Consciousness and the analogy of how our consciousness seems to be something like a TV set which we can “tune” to allow us to decode certain signals or frequencies. This is not covered in depth (as with most topics in the film). Also, several segments of Greer’s CSETI retreats – to different locations – are intermingled with other footage. (Some footage has selected faces of people pixelated out). It is mentioned that Greer has been involved with training people to contact ET’s using methods such as Coherent Thought Sequencing and Remote Viewing. (You can sign up for a trip/course at www.etcontactnow.com or find more information at www.cseti.org). I became quite interested in these aspects a few years ago, but did not explore them in depth, nor did I go on one of Greer’s retreats.

Further Additional Notes and Topics Covered
There is the necessary inclusion of Eisenhower’s warning about the Military Industrial Complex from his 1961 leaving address. And then there is mention 24 countries “opening their UFO files” to scrutiny (although the nature of what has been revealed is not really discussed – and most of the documents released simply discuss sightings by military and other personnel)

Conclusion
Having viewed the film, I would contend that in terms of the actual evidence discussed, there is little which is new in this film – indeed, apart from the “humanoid”, I would describe the film as a kind of “video blog” about Dr Greer, punctuated with segments from the Disclosure Project witness testimonies recorded over 10 years ago. The “Ata” evidence is inconclusive, though Dr Greer does not seem keen to admit this – nor does he acknowledge more solid, tested evidence that is readily available.

As mentioned above, there are huge “holes” in the film – such as the absence of any discussion or even a mention of the evidence which proves the links between topics in the film and how the WTC was destroyed.

Also absent in the discussion of “contact” is what is being communicated – and who – or what is on the other side of that communication. Perhaps I am being unfair – it is implied that feelings of peace, love and good will are to be communicated – which is all very good – and fine, though I suppose I am the sort of person looking for more specific concepts or information to be communicated in some ways. And if more specific information cannot be communicated, why isn’t it said that… “There's a starman waiting in the sky. He’d like to come and meet us - But he thinks he'd blow our minds”?

And, a key question is why is this film called Sirius? No explanation (that I could detect) is made in the film? Is it some encoded reference to the fascinating history of the Dogon Tribe? Sirius is not “a place” I have previously seen associated with any of Greer’s postings or published research.

Also introduced in the film is the “Sirius Technology and Research Initiative” – which sounds very similar to “SEAS Power”, Aero2012 and “The Orion Project”. Indeed, the page above makes the links between the two quite clear – whilst providing little or no information about what previous initiatives have achieved – only information which can be found on other websites. (As already mentioned and linked above, I wrote about this at length in an article called “Something in the Aero”.)

So, overall, Sirius is like a “Greer-centric” version of Foster Gamble’s “Thrive” documentary (which I also made a short posting about) – with less information in it and more of a “UFO/ET” slant. In both films, the most important information and links (re 9/11) are firmly omitted.
Overall, the film may serve a purpose in arousing the interest of certain types of people in the topics that are covered in the film. Beyond that, people will need to look elsewhere for much of the necessary detail and also, more critically, for the information which is left out. I think if they were going to spend money on an online rental of the film, it would be a waste – as you can watch much better documentaries – such as “Out of the Blue” for free, or get new or second-hand DVD’s from places like Amazon.

What is more worrying to me is that Greer is yet again asking people to contribute money to his “Sirius” initiative, as he did with Seaspower, Aero2012 and the Orion Project, yet he has apparently no new information and no new “plan”. (When this question was asked of Greer in an interview with him at the time of the Citizen’s Disclosure Hearings, he became somewhat uncomfortable talking about it – claiming that peoples’ lives had been threatened in the Orion Project. So how will the same thing not happen in this latest initiative – and what did the $3 million Orion Project achieve?)

I hope that this article has served to supply some thoughts and information which are not generally available and it will encourage readers to think and research carefully – so that we can achieve the sorts of things that are talked about in films like “Sirius” and “Thrive”. It has become clear to me that unless the figures featured in these films (and the researchers and producers who make them) fully acknowledge the obstacles in our way – as I have written about elsewhere on this website – then significant and rapid positive change is far less likely – because the same mistakes will be repeated endlessly, as they seem to have been in Steven Greer’s case since at least 2001.

Andrew Johnson will be presenting his talk "Infinite Energy - But Not For the Masses" at the "Awakened State" Alternative Research Conference in Edinburgh on Saturday 11th May 2013. http://www.awakenedstate.co.uk/

Further dates include:
Penzance Truth Action - Secrets in the Solar System - May 15th 2013 - Lugger Hotel
Truthjiuce Hull - 911 Finding the Truth - Weds 12 June 2013
Huddersfield - 5th UK Exopolitics Conference - 28th Sept 2013


You can also watch his most recent interviews on Richplanet TV by clicking the links below:
Apollo Conspiracy:
http://www.richplanet.net/starship_main.php?ref=145&part=1
http://www.richplanet.net/starship_main.php?ref=145&part=2
http://www.richplanet.net/starship_main.php?ref=145&part=3
Ask The Astronauts
http://www.richplanet.net/starship_main.php?ref=146&part=1
http://www.richplanet.net/starship_main.php?ref=146&part=2
http://www.richplanet.net/starship_main.php?ref=146&part=3
 Life On Mars
http://www.richplanet.net/starship_main.php?ref=150&part=1
http://www.richplanet.net/starship_main.php?ref=150&part=2
http://www.richplanet.net/starship_main.php?ref=150&part=3

Monday, 29 April 2013

The LOST Conspiracy - Part 3

Continued from Part 2...
 
Room 23
One of the more curious moments in “Lost” is the scene where we witness the technology created by The Dharma Initiative used to carry out experiments in mind control and subliminal messaging. The scene where Karl is strapped to the chair is reminiscent of Alex’s conditioning in “A Clockwork Orange”. Images are flashes rapidly across a large screen. These include: the masonic compass and set square, black and white piano keys, one eye and a pair of red lips, a face with two tears on each cheek, a Buddha statue, several images of dolls, a red and black square grid pattern, images of stars and galaxies, a partially eclipsed moon, some fish, a nest, an insect, a swirling pattern with an ‘S’ in the centre, a pendant with an eye painted on it, cogs and gears, a staircase, a totem with eyes shaped like an owls, a factory and some fireworks going off. The on screen messages include: “plant a seed and you will joyfully gather fruit”, “everything changes”, “we are the cause of our own suffering”, “think about your life” and “God loves you as he loved Jacob.”


Oz and Alice
In keeping with the Disney aspects of “Lost”, two stories are referenced regularly in the show – “The Wizard of Oz” and “Alice in Wonderland.” Both have mind control relevance either as part of the programming or a source of “triggers.” In an early episode, Charlie says, “every trip needs a coward” (cowardly lion.) A later episode has a conversation where John Locke says to Benjamin Linus, “you are the man behind the curtain, the Wizard of Oz… and you’re a liar.” It is curious that Ben is initially introduced under the alias “Henry Gale” who crashed on the island in a balloon. Henry Gale and the balloon are directly lifted from Oz. Ben’s flashback episode is entitled “The Man behind the Curtain.”



There are several occurrences of the phrase “over the rainbow” and (during a latter episode) Hurley and Sayid sit awaiting food outside the “Rainbow Drive-In”. The neon sign has a huge rainbow above it. In a key episode involving Desmond’s flashback/time travel experience, a man is crushed by falling debris leaving his red shoed feet (ruby slippers) sticking out the rubble.


As for “Alice”, episode titles include: “White Rabbit” and “Through the Looking Glass.” The first discovered Dharma Hatch is called “The Swan” (Queen of Heart’s court) and the season one cliff-hanger moment of decent into the hatch is described as “going down the rabbit-hole.” White Rabbits are liberally seen throughout. A white rabbit used by a magician in the old folk’s home that Jack visits to see his Granddad, a white rabbit garden ornament is visible in Miles’ flashback, and there are white rabbits in cages in the lab where Charles Widmore carries out his “EM/reality” experiment on Desmond. The Dharma Initiative uses them in “time travel” experiments and the same rabbits appear in their “orientation” (programming) films. Another Dharma Station is called “The Looking Glass” and has a rabbit on its logo. A poster and album cover from the band “Geronimo Jackson” (who are referenced heavily in the show) have white rabbits in the artwork.

 

In Ben’s first flashback episode, he uses a white rabbit to test the sonic fence surrounding the Dharma Barracks. Once he knows it is safe to pass through, he wanders into the unknown – metaphorically “down the rabbit hole”. He is drawn into the wilderness by a vision of his dead mother – blonde hair, blue/white dress and headband (the classic image of “Alice”.)In a flash-forward episode, Jack reads a section from “Alice” to Aaron as a bedtime story. Quote: “If I’m not the same, the next question is who in the world am I? Ah, that’s the great puzzle.” Jack reveals that he was read to as a child (from “Alice”) by his dad. The poster on the back of Aaron’s bedroom door is the suited white rabbit from Alice.

 

Energy

There are some strange reality-bending occurrences when several characters discover “The Orchid” Dharma Station. Make of this what you will! It is the sixth of six stations. The orientation video shows Dr. Edgar Halliwax (another character appearing under several aliases) holding a white rabbit. In various viral promotional videos for Lost, the white rabbit was seen to “jump through time”. The rabbit has a number “15” painted on his side. The station contains an energy chamber nicknamed “The Vault”. Quote: “This is the vault, constructed adjacent to a pocket of what we believe to be negatively charged exotic matter. Great care must be taken to avoid leaving inorganic materials inside the chamber. The electromagnetic field within the island can be highly volatile and unpredictable. Now, for your own safety and the safety of those around you, metallic objects must never be placed within the vault. In our first demonstration, we will attempt to shift the test subject (the rabbit) 100 milliseconds ahead in four dimensional spaces. For the briefest of moments the animal will seem to disappear, but in reality…”
 

The notion of energy is addressed but never in any great depth in “Lost”. “The Lamppost” Dharma Station sits on top of a pocket of EM energy which is linked to other such points on the Earth (Earth Chakra Points? Leylines?) The island moves location according to a pattern. The two EM rings, between which Desmond is reluctantly strapped, look like Stargates (tying into theories of a connection between energy and Egyptian mythology.)
 
The code to deactivate the “Looking Glass” signal jammer is the musical notation of “Good Vibrations” by The Beach Boys. The character of Daniel Faraday was named as such (by the producers) as a nod to “the godfather of electromagnetic science”, Michael Faraday. Daniel’s mother, Eloise Hawking (named after Stephen Hawking) wears an “ouroboros” pendant and purple shawl during a flashback. An EM pulse emitted from the imploding “Swan Hatch” creates a Purple Haze in the sky above the island. In studying the relevance of various colours, Purple crops up quite a bit and is often (in fiction) associated with energy and/or the “shadow of death”. There is also the “hidden map”, visible under ultra violet light during a “lockdown” of “The Swan” Station.

One of Dharma Orientation films explains that The Initiative was established to carry out research into “meteorology, psychology, parapsychology and zoology, electromagnetism and utopian social ideals.” The island has access to unlimited energy and The Dharma Initiative wants to use it to manipulate time.
 
Literature
The producers freely admit to their liberal referencing of “The Wizard of Oz”, “Alice in Wonderland” and “Lord of the Flies” (which appears in an episode) – specifically the “unseen monster” and the “civilised vs. savage” dynamic. References to other works of literature appear throughout. The producers state that Stephen King’s “The Stand” was a huge influence in creating Lost. Other books seen onscreen (and referenced) include “Watership Down” by Richard Adams (rabbits!), “A Wrinkle in Time” by Madeleine L'Engle , “A Turn of the Screw” by Henry James, “An Occurrence at Owl Creek Bridge” by Ambrose Bierce (Masonic Owl), “The Brothers Karamazov” by Fyodor Dostoyevsky, “Lancelot” by Walker Percy, “Are You There God? It’s Me Margaret” by Judy Blume, “Carrie” by Stephen King (One of Juliet’s book club readers ‘Adam’ says about Carrie, “It’s not even literature… there’s no metaphor. It’s religious hokum pokum. Its science fiction!”), “A Brief History of Time” by Stephen Hawking (The Royal Society & Freemasonry), “Our Mutual Friend” by Charles Dickens, “Laughter In The Dark” by Vladimir Nabokov, “Catch 22” by Joseph Heller, “Valis” by Philip K Dick, “The Survivors of the Chancellor” by Jules Verne, “The Shape of Things to Come” by H. G. Wells (alleged New World Order agendas), “A Separate Reality” by Carlos Castaneda, “Ulysses” by James Joyce, “Everything That Rises Must Converge” By Flannery O’Connor, “Y: The Last Man” by Brian K. Vaughan and Pia Guerra, “The Fountainhead” by Ayn Rand, and a “fictional” work of literature called “Bad Twin” (mind control alters, perceptions of reality.) On Michael Dawson’s TV (as he attempts suicide) is the quiz show “Hollywood Squares”. The question is inaudible; however the correct answer is “Kurt Vonnegut”. Vonnegut’s literature is significant in esoteric research. “The Third Policeman” (by Flann O'Brien) with the ultimate revelation that the main character is actually dead, is seen and also played a part in the origins of “Lost.” This tapped into the “purgatory zeitgeist” according to Carlton Cuse.
  

Religion
The purgatory theme was utilised by the producers as a red herring to misdirected viewers who sought a deeper meaning from “Lost.” There are numerous religious themes throughout including: Virgin Mary statues (containing Heroin!), “The 23rd Psalm” (also an episode title), Mr Eko being a priest, Charlie once being a devout Catholic, Desmond training to be a priest, the notion of “man of science, man of faith” (also an episode title), “lift up your eyes and look north”, Jacob’s ability to grant people the desire to have “life eternal”, and the underlying significance of the name “Jacob”. The origin story of Jacob and his rival brother, the “man in black”, has religious connotations. Themes of light versus dark intertwined with protecting the island – which is revealed to be “a cork designed to keep evil and malevolence bottled up and prevent it from spreading.” A spring of water is revealed to be (Quote) “the source… life, death, rebirth… a little of this light is in every man, but they always want more.” (Jacob’s Mother)
 
In early episodes dealing with the character of Hurley, he says that he believes that the island isn’t real and that his life off the island is the “real world.” In the flash forward episodes, Hurley says that the “Oceanic Six” (another “six”!) survivors are all dead and never got off the island. Sawyer and Juliet refer to leaving the island as “returning to the real world.” Quote: “It’s not real. We’re only puppets. Puppets on strings” (Locke) “We are stuck in a bloody snow globe!” (Desmond) This also links into themes of perceived reality and, by extension, the exploited zeitgeist used by purveyors of the aforementioned trauma based mind control phenomenon.
 
The survivors are frequently visited by dead people (a la “The Sixth Sense” – also made by Disney) and often refer to “miracles” as having occurred on the island. The idea of limbo and “being judged by the island” for past deeds played into the early days of “Lost.” The show’s large fan base loved to ruminate about “the meaning” of it all, and speculation that the island was “purgatory” became very popular. The producers utilised this later in the series when Locke’s dad says that they are in “hell”, as does the never-aging character Richard Alpert. In “Exodus”, Sun says to Shannon, “do you think all this… all we’ve been through… do you think we are being punished… the things we did before, the secrets we kept, the lies we told?” Shannon asks, “Who do you think is punishing us?” Sun replies, “Fate.”
 
One World Religion
The final card played in the “Lost” saga was a contrived (once again) reality bending series of “sideways” narrative flashes. Many believed these to be snapshots of an alternative reality where the plane crash never took place. In reality it turned out to be some afterlife, wishy-washy, new world order, and one religion/global religion propaganda. The clues should have been apparent all along. However, they were hammered home in the final episode with the return of Jack’s father, the misleadingly named “Christian Shephard”. Jack is lead into the back room of a church containing a Buddha statue, a Holy Cross, a Menorah, etc. The stained glass window has all the major symbols of “faith” – an ecumenical “new world, new age religion.” Christian says, “this is the place that you all made together so that you could find one another…There is no ‘now’ here.” With that, all the characters reunite together, laughing and smiling together, basking in the light shining through the symbols on the glass.

Personally, I have nothing against religious beliefs existing side by side and believe that those who have such “faiths” should also practice tolerance. However, I have come to understand that “religion”, as a concept, generally exists as a construct of engineered consent. The greater plan, of those involved with hidden global agendas, most likely includes step to bring various faiths under an umbrella, one world religion… and probably not for the betterment of mankind. Given that “Lost” is a product of Disney, and that Disney allies itself with many of the agenda players, I am extremely sceptical and cautious of the ultimate message that “Lost” portrays.

Conclusions
The truly disturbing thing about “Lost” is not the ending though. It is, rather, the way in which it swept up a huge swathe of fans. Remember the days when “The X-Files” took over the world and slightly opened a crack in the door to larger perspectives?  “Lost” took that door and firmly slammed it shut.  There should (or could) have been something rather revelatory within the framework of the show. On the occasions when it touched upon some of the energy concepts, it could have served to enlighten its audience: directed free energy concepts, existential life-force energy, and so on.  However, most of this was largely discarded or remained unexplored by the end of its run. What did remain was consistent with the way the mainstream media safely “fictionalises” and “muddles” these concepts. Again, this should ultimately come as no surprise to anyone with a passing knowledge of Disney’s track record and shadier past associations.

In typical fashion, the hypnotic power of theme and symbolism played its usual role… only in this case it surpassed expectations and signalled the direction forward for 21st century entertainment drama. The show had secured its place in history. Yes, the viewing figures declined in later seasons… but by then the damage was done.
Despite having delusions of science fiction, the premise killed off the last few pure science fiction shows on TV… shows that might have said something worth listening. All that remains now is style over substance and lashings of fantasy, masonic symbolism and occult tendencies. Today, all US (and Western World) drama output follows the “Lost” model in some form. This is the legacy of the show… that and a very secure financial future for “The JJ Brigade”. They got their hands on Star Trek, played in Ridley Scott and Steven Spielberg’s sand box, created a load of hollow franchises, and now they’ve got their hands on Star Wars. I dread to think what they’re capable of next….

Until next time,
The Truth Seeker’s Guide.

Part 1 - http://thetruthseekersguide.blogspot.co.uk/2013/04/the-lost-conspiracy-part-1.html
Part 2 - http://thetruthseekersguide.blogspot.co.uk/2013/04/the-lost-conspiracy-part-2.html

Related Articles:
http://thetruthseekersguide.blogspot.co.uk/2012/11/disney-darkside-part-one.html
http://thetruthseekersguide.blogspot.co.uk/2012/06/star-trek-conspiracy-part-three.html
http://thetruthseekersguide.blogspot.co.uk/2012/12/star-trek-into-darkness.html
http://thetruthseekersguide.blogspot.co.uk/2012/02/ridley-scott-prometheus-and-post-modern.html


Books available from Carl James:
Science Fiction and the Hidden Global Agenda - Volume One - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-one/paperback/product-23209429.html
Science Fiction and the Hidden Global Agenda - Volume Two - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-two/paperback/product-23209433.html
What Really Happened at the London 2012 Olympics - http://www.lulu.com/shop/carl-james/what-really-happened-at-the-london-2012-olympics/paperback/product-23221527.html




The LOST Conspiracy - Part 2

Continued from Part 1...

Numbers
Numerology is a significant part of esoteric/alternative research, especially given the fascination that freemasonry and secret societies have with numbers. Numbers are a central “deux ex machina” to the overarching narrative of Lost. The first episode to focus heavily on the subject was called “Numbers.” It was here that the thematic progression of 4, 8, 15, 16, 23 and 42 was explored. Despite numerous references to these numbers and the specific order, they are not the only examples of number overuse in “Lost.”



In the pilot episode, Jack and Kate discuss counting to five when afraid. Why not ten? Sawyer counts to “five Mississippi” in season two. There are five number panels on the “hatch counter” located in the Dharma “Swan” station and five question marks on the same counter during Mr Eko’s vision. Jack’s tattoos (which are Mathew Fox’s own real tattoos) contain a large ‘5’ beneath a pyramid. In an interview, JJ Abrams, Damon Lindelof and Bryan Burk state that 5 was always in the early script drafts and had no idea what Mathew Fox’s tattoos looked like. The number five appears throughout the show and heavily in the first season finale episodes.

Dharma Station 5 (The Pearl) is a monitoring station designed to observe those carrying out other experiments on the island. The Pearl’s orientation video states “careful observation is the ONLY key to true and complete awareness.” Five is allegedly an important number in freemasonry, the same folk for which “careful observation” and “complete awareness” are something of an obsession.

The numbers 2 and 3 (masonry, Skull & Bones, “322”) appear frequently. The reward for capturing Kate was $23000, The 23rd Psalm is referenced, and 23 is one of the thematic six numbers. The main “Swan” hatch is the 3rd of 6 stations. You can only leave the island on an exact compass bearing of 325 (masonic 32 & 5?). When Ben is dying on the operating table, he says, “It wouldn’t hurt to give me 3 minutes, would it… seeing as how I’ve only got 27 left?” A second season episode is entitled “Three Minutes.” In one of the Dharma Stations is “Room 23” where mind control / subliminal messaging experiments are carried out. The sign on the roadside, to signpost the birth/start of Benjamin Linus’ journey to the island, reads “Portland 32.”

When Juliet is asked how long she has been on the island, she replies, “3 years, 2 months and 28 days.” In her first flashback, Juliet’s sister’s house has an abstract wall painting of the sun with two wavy lines and a large number 6. Benjamin Linus’ Swiss passport expires on April fool’s day, 2013. Daniel Faraday’s equipment used for his time travel experiments needed to be calibrated “to 2.342, oscillating at 11 hertz.” The initial plane crash was Oceanic flight 815 and the subsequent plane to land on the island was Ajira flight 316.

In the third season episode “Enter 77”, several characters discover a Dharma Station called “The Flame.” Here, there is a computer terminal (the initial use of which is to play Chess) which states that you should input “seven/seven”, if there is an incursion by “The Hostiles”. Throughout the episode, the number is referred to as “seven/seven” not “seventy seven”. The station explodes when 7/7 is inputted. Is this a sly reference to the events in London on July 7th 2005 or merely coincidence?

Trauma Based Mind Control
There is a prominent relationship between “Lost” and the trauma based mind control phenomenon. The character of Libby (interestingly the character is a psychologist, but formerly a psychiatric patient!) is witnessed assisting the character of Claire to uncover repressed memories (memories that were hidden by the “The Others”) and makes a claim that will be familiar to anybody with a passing knowledge of the mind control subject. Quote: “Sometimes, when something terrible happens to us, there’s a little switch in your head that flicks on to protect us from having to deal with it. Maybe your memories aren’t gone. Maybe you’re just blocking them.”

Interestingly, most of the characters are established has having “alters” – separate personalities, secrets kept, hidden lives, etc. Many of these facets are introduced via the “flashback” narrative device used in the earlier seasons of the show. At one point the characters of Ana Lucia Cortez and Christian Shephard knowingly use false names during their time together. The character of Kate Austin uses numerous aliases throughout her “flashbacks”. She appears with false names, hair colour and license plate numbers. It is worth noting that this theme has been used in several shows created by “The JJ Brigade”.


The main character of Sidney Bristow in JJ Abram’s earlier hit show “Alias” is an undercover agent who continuously uses “aliases” (hence the name of the show!) Another is the Sci-fi, parallel universe, time travel, mind bender: “Fringe”. The characters are all seen as having parallel universe doppelgangers, particularly the main protagonist, Olivia Dunham, who unwittingly switches lives with her red-haired alter ego during season three of the show.
In Lost, Country music is used a fair amount, particularly Patsy Cline songs in relation to Kate. Alleged mind control victim (and former MK “Presidential Model”) Cathy O’Brien has stated in the past that the country music scene was/is a hotbed of mind control victims and handlers. Kate also refers to herself as “damaged goods”.

Researchers of the practice often refer to triggers (an array of relevant words, images, sounds and symbols) that represent aspects of the process carried out, or actually activate or “top up” a portion of the victim’s “programming”. Disney liberally places these throughout their films, animations and TV shows, and “Lost” is certainly no exception. Here are some examples clearly apparent throughout the show.


Representations of Transformation, Trauma, Journeys or Experiences
In the first season episode, “The Moth”, Charlie Pace’s “journey” through a crevice in a collapsed cave wall is compared to his attempt to kick an addiction to Heroin. The overall narrative is analogous with a Moth cocoon (as in the episode title) – a transformation of sorts. Several of the Dharma hatches have hidden hatches and doors to pass through (a journey from one domain to another), “Once I open this door there’s no turning back.” (Ben to Locke outside Jacob’s cabin), keys also appear in the show (the keys to the guns, the failsafe key for “The Swan” hatch, etc.), Dharma Station 5 is called “The Pearl” (pearls “form and emerge” from a shell), the song played when new recruits arrive at The Dharma Barracks (“I wanna ride on your mystery ship”), “The Black Rock” sailing ship that was transporting slaves and cargo to “the new world”, and the arrival of Desmond’s sailing boat. Aaron’s bedroom has stars and planets above the bed. The refrigerator in Kate’s kitchen has Aaron’s artistic pictures on it. They include: a large orange butterfly, a ladybird, a fish, purple and orange flowers, and a night sky with stars and the moon.


Triggers Relating to Innocence, Fairy Tales and Mythology - often similar to Disney output
The character of Sun wears a “Princess Pink” dress as she is introduced in her first flashback episode and another of her episodes is entitled “Glass Ballerina”, Danielle Rousseau’s music box (revealing a dancing ballerina), the “lullaby” song “Catch a Falling Star” (used to menacing effect later in the final season), and the Dharma Barracks classroom has a large number of butterfly paintings on the back wall. The aforementioned caves contain a water fall, under which is discovered a consignment of girl’s dolls, all boxed, with white ghostly faces. Hurley watches “Xanadu” on the VCR in the Dharma Barracks. “Xanadu” has similar themes to “The Wizard of Oz.”

Confinement and Isolation
The show title “Lost” works on multiple levels. There is an episode entitled “…and found” (as in Lost and Found), another entitled “Abandoned”, Handcuffs feature heavily in early episodes, Kate and Sawyer are locked in Polar Bear “conditioning” cages that give you an electric shock when you incorrectly try to get food. There is also a “well” (water/rabbit hole) that leads to a “donkey wheel” that (when turned) dislodges the island from time and space, Desmond gets trapped down this well in a later episode (trapped down a well!), the survivors put messages in a bottle to throw into the sea, and the song “Beyond the Sea.”

Water
The water/waterfalls motif is recurrent. The caves contain a waterfall. Niagara Falls is seen in the flashback of characters Rose and Bernard. It is also the key moment of their character’s story arcs. Water is crucial to the “baptism/inauguration” of those who become “guardian” of the island – such as Jacob, Jack and Hurley. There is also rejuvenation ritual at The Other’s “Temple” involving the submergence of Sayid’s dying body in a pool of water. Rain also seems to occur at key transitional moments in the overarching story. There has been much written regarding the themes of Rain and Water in esoteric circles. I will leave you to research this subject yourself and draw your own conclusions as to its significance.

Various states of reality – disjointed, fractured and reflected
Quote: “We don’t know why, but going to and coming from the island… some people can get a little confused…the jumps between the present and the future… she eventually couldn’t tell which was which. She had no anchor… something familiar in both times. This is all ‘variables’. It’s random, it’s chaotic. Every equation needs stability, something known. It’s called a ‘Constant’” (Daniel Faraday)

Desmond begins to jump back and forth through time in the episode “The Constant” causing him to have a fractured perception of reality and question his sanity. His consciousness is displaced in time, but not his physicality. He experiences a similar effect toward the end of the series when he witnesses and influences the constructed “afterlife” scenarios being played out by characters of the series.

“Tabula Rasa” (meaning “blank slate”) is a season one episode title, Mittelos Biosciences – Mittelos is an anagram of “lost time”, the Dharma “orientation” films (designed to “programme” recruits who work in the Dharma stations), Jack describes punching the buttons in the hatch as “a mind game”- an experiment designed simply to see if someone will do it, and Charlie’s Tattoo – “Living is easy with eyes closed” (as in “Strawberry Fields Forever”) As the submarine departs the island, the last thing that the Captain says over the intercom is, “see you on the other side.” This phrase crops up a lot in popular culture – it is something of a slogan when travelling through the portal on the television show “Stargate” and also often relates to the “dark side of the moon” paradigm (Pink Floyd/Wizard of Oz, etc.) The character of Charlotte Staples Lewis was named after C. S. Lewis (creator of the “Narnia” books.) Whenever one passes through a portal to Narnia in the novels, there is no way of knowing in what time period you will arrive. Charlotte dies as a result of the fractured “time effect” on the island.

Many of the characters believe they are cursed, going mad, hallucinating and seeing dead people. The heart of Lost is the creation of Illusions. Of what is perceived to be real and what is not. Quote: “All of this is not what you think it is!” (Richard Alpert)


Secrets & Trauma
The notion of “keeping the secret” runs parallel with alleged mind control victims. Celebrities who are claimed to be “programmed” are sometimes snapped on camera with their index finger to their lips – as in “shush”, “keep quiet”. One or two also have “shush” tattoos. When Mr Eko has a hallucination showing figures from his traumatic past, he witnesses an altar (alter?) boy making a “shushing” gesture to him. Several of the characters witness a vision of the character of Walt making exactly the same gesture, whilst dripping with water.

The theme here is also one of child indoctrination. Research shows that almost all alleged mind control programming begins at a very early age, usually running concurrent with a traumatic event/continuing events in their lives. The pre-adolescent characters of Lost don’t come out of the experience well. The character of Walt is abducted (and experimented on) by the islands populace – known as “The Others”. This group are also responsible for abducting the children who survived the crash of the plane’s tail section as well as Danielle Rousseau’s baby daughter, Alex. Rousseau, in turn, kidnaps Claire’s baby boy, Aaron. When Claire subsequently sees her dead father in the jungle, she abandons Aaron (all alone) to follow her father. There is also an episode entitled “Raised by Another.”

The leader of “The Others”, Benjamin Linus, appears to have had a traumatic upbringing also. His mother dies immediately after giving birth to him. As a result, his father states that Ben “killed his mother”. In flashback, he is shown to have had an abusive upbringing at the hands of his father. His only friend is a young girl, whom he shares “wooden dolls” with – Pinocchio anyone?! Ben ultimately ends up murdering his own father using nerve gas and joins “The Others”. When Ben first becomes an “other”, Richard Alpert says that he must “sacrifice his innocence” and will “never be the same again”. Ben has his memories erased and cannot remember the events that triggered and proceeded his initiation.

I have written at length, in the past, detailing Disney’s obsession with the “fractured family” narrative device. Many of the “Lost” characters have similarly traumatic childhoods with dysfunctional family/parental relationships. There are too many examples to list here, however one most notable example is that of the character, John Locke. Abandoned by his mother and no clue as to who is father is, he eventually learns the truth only to be duped into donating a kidney to his conman father. His father then has nothing more to do with him. Later in the series, his “doppelganger” (the “Man in Black”!) describes Locke as “weak, pathetic and irrevocably broken”. Stranger still, Jacob (guardian of the island, with numerous religious undertones) is revealed to have been responsible for summoning those who survived the plane crash to the island as potential candidates to replace him. When asked why, he replies, “You were all flawed.”

Many of these themes will ring true for those who study, or claim to have suffered at the hands of, state sponsored trauma based mind control.

Continued in Part 3...
Part 3 - http://thetruthseekersguide.blogspot.co.uk/2013/04/the-lost-conspiracy-part-3.html
Part 1 - http://thetruthseekersguide.blogspot.co.uk/2013/04/the-lost-conspiracy-part-1.html


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Science Fiction and the Hidden Global Agenda - Volume Two - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-two/paperback/product-23209433.html
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