Sunday, 29 April 2018

Richplanet 2018 UK Tour

Richard D. Hall is currently holding his 2018 UK Tour with speaking events throughout the country. Due to numerous circumstances, this is the first opportunity I have had to post information about the tour here on my blog. As a result, several event dates have come and gone in the last week or two. However (as of the date and time of posting this blog), a number of events are still to be held. Below, I have reposted the details of the tour from the Richplanet website and listed the remaining venues and related information. Richard's UK Tours are well worth taking the time to attend as his speaking subjects are thoroughly researched, thoughtful, often funny, and always informative. Please try to attend one of the remaining speaking events if you can. You won't be disappointed!

The following is from the Richplanet website:

"In this years tour Richard will be launching his latest film entitled "Kill Jill, The Dando Assassination Explained". The film, available to pre order here, looks at all the popular theories for the motive behind Jill Dando's murder, and brings comprehensive circumstantial evidence to light which has not been considered by the police or independent researchers. This is another case where it seems the state were involved in a crime and the cover up of a crime. In the UK, over recent years there have been a number of what the media describe as "terrorist" attacks. Richard will discuss the phenomenon as a whole and then focus on one or two of these very dubious events, attempting to highlight evidence and bring clarity to help understand what is really going on. We will also delve into the area of how people obtain their information and how the landscape is changing and being manipulated to prevent the most important information becoming widely known about. There have been more bizzare animal mutilations occuring in the UK, still with no satisfctory explanation - in particular hundreds of cats being found mutilated around greater London and further afield. Richard will present some preliminary findings about this phenomenon. Following on from his research into the very dubious Mars Rover programme and the recent expose on Richplanet of the very dubious Apollo (moon landing) programme, we will look at some compelling information about Mars that it seems has been suppressed. And also look with a very critical eye at some of the commercial ventures which claim to be attempting to send peolple to Mars in a rocket (firework). Richard will also discuss some of his UFO related research, both evidence based and the current politics surrounding this subject. I will try and think of some jokes too. TICKETS : £12"

LONDON Sun 29.4.2018  7:30pm Kingston Working Mens Club, KT2 6ND
COLCHESTER Mon 30.4.2018  7:30pm Marks Tey Hotel, CO6 1DU
WESTON SUPER MARE Tue 1.5.2018  7:30pm The Grand Atlantic Hotel, BS23 1BA
NOTTINGHAM (With guest Andrew Johnson) Wed 2.5.2018  7:30pm The Bonington Theatre, NG5 7EE
MERTHYR TYDFIL Thu 3.5.2018  7:30pm Merthyr Tydfil Rugby Club, CF48 1BA - NOTE: THIS VENUE IS SOLD OUT
BELFAST Sat 5.5.2018  7:30pm Wellington Park Hotel, BT9 6RU

Wednesday, 20 December 2017

December Updates, More Disney & Season’s Greetings

Apologies for my absence of late. It has been a while since I have posted any new material here on my blog. Some of you may be aware of recent events in my personal life (via some brief postings on my Facebook page). For those of you aren’t aware, my absence is due to the sudden and unexpected passing of my dad in early November. Since that time, things have been very difficult for myself and my family. My time has been spent very much concentrating on family and trying to move forward from our loss. Unfortunately, this has meant that the writing of several new books, further research, making videos and doing talks and interviews has had to go on hold for the moment. I am endeavouring to get things back on track from January 2018 onwards and will bring you any news and updates about the work I placed on hold in November as soon as it is completed.

Before the loss of my dad, I was asked to speak at the AwakeCon 2017 event in Medstead in mid-November – something I was very keen to do – and I said yes. My dad passed away one week before this conference and I was unsure, at the time, if I would be able to attend. My dad was really looking forward to my attending AwakeCon (even though he wasn’t able to attend himself) and kept asking me about it in the days before he passed away. Having spoken to my family at length on the matter, I made the decision to still attend the conference – not only so as to not let down those people organising and attending the conference, but also in memory of my dad.

The conference was excellent and very well organised. I had the opportunity to meet some really wonderful, open-minded, and intelligent people. My huge thanks to Andrew Johnson for getting me there and back safely, and to Menna Campbell-Widdess for her wonderful hospitality over the weekend. Also, thanks to both of them for their support during what was quite an emotionally raw time for me. I also had an opportunity to record an interview with Andrew Johnson about some research I had recently concluded on the subject of the 1938 War of the Worlds psyop. Again, thanks to both Andrew and Menna for making this interview possible. You can watch this interview at the following link: The 1938 War of the Worlds Psyop -

Before I move on, I want to thank all those people who attended AwakeCon 2017 and those people who organised the event and kept things running so smoothly – Tajinder Gill, Sarah Adams, Ben Emlyn Jones, the list goes on. Also, to the wealth of excellent speakers at AwakeCon who made the weekend such a success. Videos of some of the various talks given at the event have now been uploaded to YouTube and can be watched at the following links:

AwakeCon 2017 - David Shayler: The Truth Shall Set You Free -

AwakeCon 2017 - Ben Emlyn-Jones: SETI and UFOs -

AwakeCon 2017 - Thomas Sheridan: Demons Decoded -

AwakeCon 2017 - Tony Topping: UFOs Beyond The Known Paradigm -

AwakeCon 2017 - Andrew Johnson: What on Earth is the Starchild Skull -

AwakeCon 2017 - Cathi Morgan: Deconstructing the Mind Control Matrix -

AwakeCon 2017 - Carl James: Disney Darkside -

More Disney Darkside…
At AwakeCon, I gave an hour-long talk covering an overview of the Disney subject. Much more information on this subject has been coming my way recently. Although I have yet to collate this new data into a publishable form (something I hope to rectify in the early new year), it is worth pointing out the implications of one of the juicier and highly-publicized aspects of this information – that of the Disney buyout of 20th / 21st Century Fox in the last week or so. The unprecedented $52.4 billion deal will ultimately give Disney all of Fox’s entertainment (film and TV) intellectual properties – along with a myriad of other media assets. It has become painfully clear to me in recent years (particularly thanks to my contact with a prominent Disney insider) that Disney have a dark and all-encompassing control agenda with regard to the way the media currently works. The recent deal will allow Disney to hold a substantial sway in the digital download / streaming realm – another area of the contemporary media that they have eyed as a target for monopolization. This would seem to chime with Disney’s plans to use the media to manipulate human consciousness and energy (as my Disney contact has verified).

Interestingly, the Disney / Fox deal also resonates with the research I assembled in my detailed books “Science Fiction and the Hidden Global Agenda” – Volumes One & Two. The links for these books are below:

Science Fiction and the Hidden Global Agenda - 2016 Edition Volume One -

Science Fiction and the Hidden Global Agenda - 2016 Edition Volume Two -

Science fiction and fantasy output in the media can be evidentially documented as having a substantial connection with the goals and agendas of the global ruling elite. The deal between Disney and Fox will shortly place all manner of media science fiction and fantasy intellectual properties under the effective control of Disney. Some of these past and present TV shows include the likes of: Manimal, Automan, Alien Nation, Tales from the Crypt, The X-Files, The Lone Gunmen, Millennium, Space: Above and Beyond, Buffy: The Vampire Slayer (co-produced with UPN and WB), Roswell, Harsh Realm, Dark Angel, Freakylinks, 24, Firefly, Tru Calling, Futurama, Wonderfalls, Journeyman, Life on Mars (the US version), Dollhouse, Terra Nova, American Horror Story, Sleepy Hollow, The Last Man on Earth, The Strain, The Gifted, Legion, and The Orville. Culturally iconic TV franchises like The Simpson and Family Guy will also fall to Disney.

Films include: Journey to the Center of the Earth, Fantastic Voyage, One Million Years BC, The Rocky Horror Picture Show, Damnation Alley, Cocoon, The Abyss, Solaris (remake), 28 Days Later, The Day After Tomorrow, I Robot, Jumper, The Happening, Babylon A.D., The Day the Earth Stood Still (remake), The Martian, The Revenant, Deadpool, and the films franchises for the Planet of the Apes, The Omen, Alien, Predator, The Fly, Independence Day, The Power Rangers, The X Men, The Fantastic Four, Daredevil, Robots, Night at the Museum, Percy Jackson, The Maze Runner, and Avatar.

It appears that the deal may also include the intellectual properties of the Irwin Allen genre stable - meaning that the likes of Lost in Space, The Time Tunnel, Voyage to the Bottom of the Sea, and Land of the Giants could also become the intellectual property of Disney.
I will be examining this development and the implications for the future of the science fiction / fantasy genre (and the larger mainstream media/global elite agenda) in Volume Three of Science Fiction and the Hidden Global – a book I hope to write in 2018.

Overall, I have suspected for some time that Disney has a “long game” – one that will conclude with them pretty much controlling the entire entertainment side of the mainstream media. The aforementioned deal will bring Disney so much closer to that goal. It has been speculated that the American political “ruling” elite may step in and veto the deal in its current form at some point in the near future - if the deal is deemed as creating a substantial Disney monopoly. In fact, both Disney and Fox have created cash “payback” clauses in the deal should this happen – a clause that will see one side paying the other a “settlement” of several billion dollars if the deal falls apart. However, I find it unlikely that this will happen. I firmly believe that Disney is fully on-track to seize control of the majority of the media, in-line with its secretive use of the media as a fully-fledged weapon against the masses of humanity. Whilst we can only spread the word about the nature of this agenda, we will have to wait and see how Disney specifically decides to play it out.

Season’s Greetings…
As always, I want to thank everybody who has supported my research and writing, the articles posted here, the videos I have uploaded, the talks and interviews I have given, and, overall, all the other efforts I have made to spread awareness about alternative subjects over the past year. It is truly appreciated. The encouragement, friendship, and positive response that I get from you all makes everything I do worthwhile. In that spirit, I wish you all good health, happiness and positive energy during the festive season and for the year ahead.

See you in 2018!
Carl (The Truth Seeker’s Guide)

Tuesday, 21 November 2017

The 1938 War of the Worlds Psyop

In this video Andrew Johnson and Carl James discuss idea that the 1938 CBS radio broadcast of The War of the Worlds (presented by Orson Welles and the Mercury Theatre on the Air) was an psychological experiment to study public reaction (and the potential for psychological manipulation and social engineering) to the output of the mainstream media. Was there really a "mass panic" reaction to the 1938 broadcast? Was the broadcast itself part of a study financed by The Rockefeller Foundation? How much was Orson Welles a part of the psychological experiment and study? How much does the broadcast and psychological study factor into the ET/UFO paradigm? Was the study of the broadcast a "test bed" template / model for the role that the media would play in subsequent historical events like WWII and 9/11? All of these question and more are examined in this discussion.

To view this video on YouTube, click here:

The original 1938 War of the Worlds broadcast is available to listen to here: Orson Welles - War Of The Worlds - Radio Broadcast 1938 - Complete Broadcast -

The Rockefeller Foundation Annual Reports can be viewed here:

For more from Andrew Johnson, visit:

For more from Carl James, visit:

Thursday, 28 September 2017

Book: Climate Change and Global Warming - Exposed: Hidden Evidence, Disguised Plans

Andrew Johnson has recently published a thoroughly researched and thought-provoking book entitled "Climate Change and Global Warming - Exposed: Hidden Evidence, Disguised Plans". The book really is an essential read and I highly recommend checking it out as the research contained within the pages of this book has implications for everybody. The evidence will hopefully allow you to reassess the stage-managed / perception-managed false paradigms of "climate change" and "global warming". Below is an overview of the book from Andrew's website "" - with links to the various places where you can get a copy of it.

"The weather is something which affects all of us, every day of our lives. It dictates our long and short-term plans. In the UK, the weather is the "default topic" of conversation for strangers and friends alike. Though it has obvious and far reaching importance, most people don't know very much about the weather. These days, they don't take time to observe it and probably spend more time looking at a screen than they do looking at the sky. They don't really know why the weather seems to be changing. They are told by mainstream sources that anthropogenic (human) activity is having a negative effect on the weather. This book collects together, for the first time anywhere, a range of diverse data which proves that the whole issue of “climate change” is more complicated and challenging than almost all researchers into all these topics are willing to consider, examine or entertain. The book covers the global warming myth, geoengineering proposals, persistent jet trails, weather anomalies, weather modification, 9/11 and Agenda 21. Most of the people that need to read this book probably won't ever hear about it.
It is hoped that, by the time you have read this book, your world-view will have been shattered completely and you will have learned about the manipulation that you and everyone else, has been subjected to, since talk of global warming and climate change was first heard in the late 1980s. Once you have read and inwardly digested the contents of this book, your immunity against global deception and psychological manipulation will be increased."

  • Paperback: 258 pages
  • Publisher: CreateSpace Independent Publishing Platform; 1 edition (17 Sept. 2017)
  • Language: English
  • ISBN-10: 1976209846
  • ISBN-13: 978-1976209840
  • Product Dimensions: 15.2 x 1.5 x 22.9 cm


    Sunday, 24 September 2017

    Arcade Fire - Chemtrails, 9/11 & Other Oddities

    I have uploaded a new video to my YouTube channel entitled "Arcade Fire - Chemtrails, 9/11 & Other Oddities" -

    There is a lot of information in this video that has not really received any attention anywhere. I felt it was time to try and correct that oversight. Some of the information (particularly the embedded "code" in Arcade Fire's video "Signs of Life") is quite staggering and I'm surprised I haven't heard it being discussed in alternative knowledge research circles. Please check out the video, share it far and wide, give it a "thumbs-up", etc., if you want to.

    Carl (The Truth Seeker's Guide)

    Arcade Fire - Chemtrails, 9/11 & Other Oddities

    I have uploaded a new video to my YouTube channel called "Arcade Fire - Chemtrails, 9/11 & Other Oddities". Please check it out, share, give it a "thumbs-up", etc., if you like.


    Carl (The Truth Seeker's Guide)

    Monday, 18 September 2017

    Star Trek & 9/11 - The Ellison Family Connection

    Talk about making the most of your time! I am currently researching and writing three factual, alternative knowledge books!! The gathered material I am sizeably basing these three books on was originally meant for one book… but when I figured out how big the book would be (especially as I am still gathering and assembling yet more research!) I had a rethink. I don’t want to end up with something akin to “The Exegesis of Philip K. Dick” and I wouldn’t even try to achieve that kind of feat! Obviously, I am trying to post things here on the blog and my Facebook page whenever I can, but the book research and writing is very time intensive and consuming. Once I get into my writing “groove”, I try to stay there as long as I can and not get distracted as it allows me to get a lot done. That said, I had to take a break to bring something to your attention that piqued my curiosity greatly. The following is an article I have put together from research I have been looking at in the last few days. Although it will be looked at in far more detail in at least one of the aforementioned books, I had to flag this as it may have provided me with some answers to a few questions that I left unsatisfactorily unanswered in my “Science Fiction and the Hidden Global Agenda” books. I hope some of you find this revealing.

    Carl (The Truth Seeker’s Guide)

    Star Trek & 9/11 – The Ellison Family Connection
    In my “Science Fiction and the Hidden Global Agenda” books, and in various articles, videos and talks, I have dissected the hugely popular science fiction television and film franchise “Star Trek”. I have evidentially demonstrated a myriad of connections between the franchise and the likes of the RAND Corporation, Boeing, Lockheed, Stanford Research Institute, the U.S. Department of Defense, NASA, JPL, the NSA, the CIA and so on. I have also documented how 9/11 seems to repeatedly synchronise with “Star Trek”. 9/11 and the post-9/11 world was somewhat thematically foreshadowed in the television series “Star Trek: Deep Space Nine” – a couple of years before 9/11 even happened. Post-9/11, the entire third season “Xindi” story-arc of “Star Trek: Enterprise” was based on 9/11 and the post-9/11, “War on Terror” climate. Nowhere was the connection with 9/11 more apparent than in J.J. Abrams’ 2013 movie “Star Trek: Into Darkness”. Anything attached to J.J. Abrams should sound some concerning alarm bells for people. I have covered this matter at length in part 2 of my recent presentation “Disney Darkside”. See: Disney Darkside 2/2 (Carl James@Truth Juice B'ham - 14/2/17) -


    In my 2016 edition of “Science Fiction and the Hidden Global Agenda” – Volume One, I had to leave a dangling question about the possible motives and agendas behind the making of “Star Trek: Into Darkness”. In the book, I demonstrate how the film was a reinforcement of the official narrative of 9/11. I was a little perplexed as to what happened to a reference to 9/11 in the closing credits of the film. Here is a short section from my book: “A dedication “to the post 9/11 veterans” was included in the closing credits of the cinematic release of the film. Curiously, since the release of the first edition of this book, it has come to my attention that the dedication “to the post 9/11 veterans” has been removed from the closing credits of the European DVD and Blu-ray releases, as well as from those versions aired on UK television. We really should ask the question why? I have yet to confirm if the dedication remains in any DVD / Blu-ray releases of the film sold outside of the European coding region.” I have yet to clear this matter up to my satisfaction. However, the revelations later in this article may provide a possible answer.

    Further in my book, I wrote: “On the subject of the film’s closing credits (and as a substantial connection between the film and the 9/11 / free energy technology cover-up), the producers of the film used the credits to thank “Lawrence Livermore National Laboratories, Operated by Lawrence Livermore National Security, LLC, for the US Department of Energy’s National Nuclear Security Administration” – who were consulted (in what capacity I am unsure) during production of the film.” I raised this subject again in my recent “Disney Darkside” presentation: “Although it is known that Livermore Labs and the Department of Energy were extensively consulted for the film, it is not known why they were involved. Given that the film is a blitz of 9/11 propaganda (reinforcing the “official” narrative of those events), we should also note the existence and use of directed free-energy technology on 9/11 (as exposed by Dr Judy Wood in her book “Where Did the Towers Go?”).  In this regard, we are once again back in the territory of energy. J.J. Abrams and his associates have repeatedly returned to the subject of energy (in one form or another) throughout their careers.”

    Star Trek has often synchronised 9/11 to the directed free-energy technology / weaponry used on 9/11. The aforementioned “Xindi” story arc in “Enterprise” is triggered when a directed free-energy weapon is utilised to destroy a huge chunk of the eastern coast mainland of America. Then there is Robert Picardo’s (who portrayed the EMH Doctor in “Star Trek: Voyager”) multi-faceted involvement with the NASA/JPL outfit “The Planetary Society”. Picardo has served on the advisory board of The Planetary Society for approximately two decades. The Planetary Society is (by its own admission) sponsored by the likes of Underwriters Laboratories. This provides a significant connection between the Star Trek franchise and the 9/11 cover up - given the connections between Underwriters Labs, NIST and the 9/11 cover story. Dr Judy Wood (author of "Where Did the Towers Go - Evidence of Directed Free-Energy Technology on 9/11") has extensively documented her Request for Correction (RFC) to the NIST WTC reports and her Qui Tam cases verses a number of defendants including Underwriters Laboratories.

    But back to “Star Trek: Into Darkness”. The film’s co-writer, producer, and director J.J. Abrams is (as I demonstrated in the aforementioned “Disney Darkside” presentation) quite fixated with the themes of energy and consciousness in his media output. He has also collaborated extensively with the likes of the U.S. DoD, the CIA, NASA, the United Nations and the Department of Energy on his television and film projects. Note also that the Department of Energy and the DoE-funded Lawrence Livermore National Laboratory (both credited as collaborating on the production of “Into Darkness”) have worked with every branch of the military industrial complex on the likes of so-called "psychic warfare", mind control, and free-energy technology development... and the suppression of it, for that matter. Although you can read between the lines (based on all the aforementioned) as to why these entities were involved with “Star Trek: Into Darkness”, I was never able to evidentially demonstrate who got them involved and why… until now. As is often the case with such things, the evidence was staring me in the face all along. It was in the public domain all along and I somehow failed to notice it.

    My discovery was prompted by some recent additional research into the Kathryn Bigelow-directed film “Zero Dark Thirty” – which was presented as a depiction of the “true story” (which in itself is a wholly false narrative) of a military assault on the compound where we were told “Osama bin Laden” was “killed”. Interestingly, the villainous “Khan” character into “Star Trek: Into Darkness” was described by several people involved with that film as a “Bin Laden-type character”. You will see why I have highlighted this synchronicity as I go on. “Zero Dark Thirty” shows how torture was used by the CIA to “obtain intelligence” about “Bin Laden”. It has now been evidentially documented that the CIA were involved with the production of “Zero Dark Thirty” – despite their repeated denials that they were ever involved with the project. Additionally, Kathryn Bigelow received classified documents from The Pentagon (not even privy to members of the US Congress) to help with production of the film. The extensive use of military equipment and assets was also procured for the film - which must have been cleared by the military given the narrative and themes of the film. Remember that Kathryn Bigelow also directed “The Hurt Locker” which was a classic example of a Hollywood film serving as a recruitment/propaganda film for the US military.

    David L. Robb’s excellent book “Operation Hollywood” demonstrates how many films and television productions have received Pentagon / DOD support in exchange for their input in the writing / rewriting of scripts. Although this is usually done to allow the military to create positive portrayals of the institution and encourage recruitment uptake, it is also done to allow the military to “white-wash” the less-than-favourable aspects of military history (“Black Hawk Down” is a good example of this) and maintain the fa├žade of certain psyops and cover-ups that have involved the military / industrial / complex. The CIA have precisely the same arrangement with various Hollywood film and television productions for precisely the same reasons. It appears that the same situation is also true of the likes of the FBI, NSA, NASA, United Nations and, for that matter, the Department of Energy. With regard to the latter, it would explain why the DoE and LLNL were involved with “Star Trek: Into Darkness” – a film that maintains the mainstream illusion (at least thematically) of the “official” narrative of 9/11 and simultaneously muddles and redirects attention away from the true nature of the directed free-energy technology on 9/11 cover-up.

    Now we unravel more deeply! “Zero Dark Thirty” was co-produced by Annapurna Pictures. Annapurna Pictures was founded in April 2011 by Margaret Elizabeth "Megan" Ellison. Megan Ellison is the sister of David Ellison who is also a bit, big hitter in the Hollywood industry – he is a notable film producer, close associate of J.J. Abrams and the founder and CEO of Skydance Media. Skydance is responsible for producing (amongst others) the following feature-length films Mission: Impossible – Ghost Protocol and Mission: Impossible – Rogue Nation (both co-produced by J.J. Abrams and both assisted in production by the CIA), G.I. Joe: Retaliation, World War Z, Terminator Genisys, Jack Reacher, and Jack Reacher: Never Go Back (all Pentagon / DOD associated), and Jack Ryan: Shadow Recruit (DOD & CIA associated). They are also currently producing Top Gun: Maverick. This film, like the first Top Gun film, involves (multiple DOD / CIA collaborator) Jerry Bruckheimer and, I’ve no doubt, will (like Top Gun) almost certainly receive full DOD / Pentagon support. The short and long of it is that almost every production that has come out of Skydance Media has received DOD and / or CIA support.

    And now for drumroll… are you ready? Skydance Media also produced… wait for it… Star Trek: Into Darkness AND, for that matter, Star Trek: Beyond!

    But it doesn’t end there. Megan and David Ellison are the son and daughter (respectively) of Larry Ellison. It appears that all the opportunities that Megan and David have had in their lives in establishing their positions (both connectively and financially) in the Hollywood industry have been thanks to the position, wealth and power of their father. Larry Ellison is a businessman, entrepreneur, and philanthropist who, according to numerous sources, is now listed as the fifth-wealthiest person in America and the seventh-wealthiest in the world – worth over $60 billion. Larry Ellison gained his wealth by co-founding (and serving as the CEO) of the Oracle (interesting name!) Corporation. His corporation began life in a rather telling manner. In the 1970s, Larry Ellison worked for Ampex Corporation where he was tasked with creating a database for the CIA – which he named “Oracle”. His Oracle Corporation grew out of this project. The following is taken from a 2014 Business Insider article by Julie Bort entitled “Larry Ellison Is A Billionaire Today Thanks To The CIA”: “The CIA was the customer that launched Oracle, cofounder Larry Ellison said on stage Sunday night during the opening keynote for the company's massive customer conference in San Francisco. "Our very first customer was the Central Intelligence Agency," he said.” Historically, Oracle has had many dealings with the likes of the CIA and The Pentagon. Are we seeing a pattern in the Ellison family?

    To bring this piece to a conclusion, I want to briefly touch on 9/11 again. Thanks to Larry Ellison, Oracle seems to have played a substantial role in the 9/11 cover-up as well. Soon after the events at The Pentagon on 9/11, Larry Ellison had allegedly “already made arrangements with the army for more than two hundred staff from the damaged Pentagon to be accommodated in Oracle's Washington offices. A secure Special Response Center had been quickly established to provide support for government agencies needing security-cleared communications channels. Ellison said that in New York a similar effort was under way, including the creation of an "emergency office locator" to help identify the temporary office locations of thousands of displaced workers.” (Quote taken from “Softwar: An Intimate Portrait of Larry Ellison and Oracle” by Matthew Symonds, pg. 402)

    It has also been claimed that Todd Beamer, a 32 year old account manager at Ellison's Oracle Corporation in New Jersey, was an “alleged” passenger on Flight 93 on 9/11. Beamer was forever connected with the 9/11 cover story via the propaganda movie “United 93” as the “passenger” who (according to “official” sources and narrative) said “Let’s Roll” and then joined others in proceeding to overpower the alleged hijackers. Of course, there are so many flaws in the Flight 93 “narrative”, I wouldn’t know where to begin here. I suggest you gain a clearer perspective by looking at some of the research of Andrew Johnson and Mark Conlon. Links to some of the research into the “planes” on 9/11 subject are included in my previous article “The Truth About 9/11” -

    So there you have it. By no means am I saying that the Ellison family are the ones we should hold exclusively to account for the subversive (in a negative sense) content and agendas of the aforementioned Hollywood films. They are only a part of a chain of entities that are steering and influencing these films. But, if nothing else, this article should give a little insight into the processes that are at work.  There is no such thing as a coincidence or harmless association when we read “thanks to…” in the end credits of a film – at least not when those being thanked have very clear and documented military, political, historical and social agendas. Like the sunglasses motif in the film “They Live” or the lines of code in “The Matrix”, it really is time to recognise the media for what it is. Stop treating it like it is good, harmless, all smiles and sunshine, friendly and helpful, and on your side. It may not have been all bad at one time, but today it pretty much stinks rotten and isn’t worthy of anybody’s time or attention. My advice is now, always try and ignore it whenever you can. If you do notice it, whenever it waves its glittery arms all over the place – screaming for your attention, learn to see it for what it is.

    Until next time!
    Carl (The Truth Seeker’s Guide)