The first time I came across any of these allegations was when I read Cathy O’Brien’s harrowing life story – “The Trance-formation of America”. Her account of ritual/sexual/occult based abuse and torture as part of her “Presidential model” mind control programming is disturbing enough. Yet within her story is a claim that many mind control victims have been conditioned within Disney associated locations, with further programme “triggers” caused by underlying imagery and archetypes seen in numerous, world famous Disney films.
In her book, she elaborates: “My Father…took us to see Walt Disney's Pinocchio, explaining that my brother and I were his puppets still in the carving stage. The distortions of reality that these and other Disney theme movies provided when coupled with my father's government trained conscious and subconscious controlling influence, began to further erode our ability to discern fantasy from reality.”
“During Christmas vacation, 1974, my father flew us all to Disney World by route of Tampa, Florida. Ignorant of geography, it did not occur to me that Tampa was out of the way to Disney World until my father drove the rented van to the gates of MacDill Air Force Base. Military personnel met me there and escorted me into the base TOP SECRET high tech mind-control conditioning facility for "behavioural modification" programming. This was the first in what became a routine series of mind-control testing and/or programming sessions on government installations that I would endure throughout my Project Monarch victimization.” She also says that at this point in her life “so far, I had only been to MacDill and Disney World for government/military programming.”
A Disney World, mind control facility…?
Further claims of this association are made within the accounts of another alleged mind control slave: Brice Taylor. In her book “Thanks for The Memories”, she says: “Walt (Disney) took me to an office… and told me that he was my real father. He said the Mickey Mouse Club was my real family--where I really belonged. Everyone was always telling me I belonged to a different family than my parents and I didn't understand, it was all very confusing. Walt Disney seemed nice but I wasn't with him very long. He called another man in and that man took me by the hand and led me away. This man was a very bad man and he really scared me. He took me into another room and gave me those view master box glasses to look into. He showed me pictures in them that were so scary that other parts of me had to come to see them. It was too much for a little girl to see. Dead things—cut up bodies, dead cats skinned with big eyeballs and their tails cut off, people cut up, etc... This event involved several of my personalities.”
Researchers of the mind control phenomenon have often spoken of this. Mary Lewis (LCSW) in “Awakening to the Realities of Mind Control” states, “Certain themes have surfaced throughout the years, which to this day continue to amaze me as I hear them over and over. The Disney Parks, MGM Studios, Disney Movies, Disney characters, and Disney songs have been used in conjunction with the programming. My understanding of this is that using such a familiar and popular theme assures that the program will be triggered easily. To anyone who is a Disney fan (and who is not), this is probably one of the hardest things to believe. However, sitting where I sit, hearing what I hear, and seeing what I see, I cannot refute this truth anymore.”
Ron Patton in his book: “Project Monarch…” writes, “Programming is updated periodically and reinforced through visual, auditory and written mediums. Some of the first programming themes included the ‘Wizard of Oz’ and ‘Alice in Wonderland’, both heavily saturated with occult symbolism. Many of the recent Disney movies and cartoons are used in a two-fold manner: desensitizing the majority of the population, using subliminals and neurolinguistic programming, and deliberately constructing specific triggers and keys for base programming of highly-impressionable MONARCH children.”
And also in “The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave” by Cisco Wheeler and Fritz Springmeier: “This is why the Disney movies and the other shows are so important to the programmers. They are the perfect hypnotic tool to get the child’s mind to dissociate in the right direction. The programmers have been using movies since almost day one to help children learn the hypnotic scripts.”
One major aspect of Disney’s alleged involvement in this practice is The Mickey Mouse Club and the inherent “Mouseketeers” who have often gone on to become world renowned celebrities. According to Wikipedia: “The Mickey Mouse Club is an American variety television show that began in 1955, produced by Walt Disney Productions and televised by the ABC, featuring a regular but ever-changing cast of teenage performers. The Mickey Mouse Club was created by Walt Disney.”
Their “professional” image is also laced with clues to possible mind control aspects. You will often see motifs in their lyrics and music videos such as multiple versions of the artists (multiple personality disorder?), disjointed reality, self-harm, descent into mania and insanity, cracked mirrors (fractured alters), butterflies (metamorphosis), bird cages (entrapment), etc. There is often an abundance of masonic or occult related imagery, and regular nods to Disney such as the Mickey Mouse ‘ears’ or the Minnie Mouse ‘lips’. Their live performances often include strange occurrences. A good example is the symbolic “marriage” and three way kiss between Britney Spears, Christina Aguilera and Madonna.
On this subject, I must also mention Michael Jackson. There has been much speculation about Jackson’s possible programming. He had a lifelong obsession with Disney paraphernalia (particularly Peter Pan – embodied in his “Neverland” ranch) and is referenced as a mind control slave in Bryce Taylor’s accounts. There continues to be a large amount of speculation surrounding his death.
As I discussed in part one, Disney’s output disseminates widely throughout the cultural landscape. Exposure to this material is often all pervasive, making for easy access to such possible triggers. If it exists, then it should therefore be quite apparent. I will look at some possible examples in part three.
To be continued…
Part 2: http://thetruthseekersguide.blogspot.co.uk/2012/11/disney-darkside-part-two.html
Part 3: http://thetruthseekersguide.blogspot.co.uk/2013/01/disney-darkside-part-three.html
Science Fiction and the Hidden Global Agenda: