The Force Awakens Odd Symbolism in Teaser Trailer#2

Hey folks. My apologies for the lack of articles recently. Although I feel myself starting to sound like a scratched record, my reasoning is simple lack of time! Although I pride myself on having very little adherence to the hands of the clock, I do feel like there really aren’t enough hours in the day at the moment. The “slavery to time” manufactured mechanism (of which I am well versed, believe it or not) has prompted several severe curses from me lately! I am actually in the process of putting some new blog material together, but I unfortunately have only had the odd hour here and there to make any headway. Please persevere with me – normal transmission will hopefully resume again soon!
I felt it necessary to post a couple of images that relate to the growing frenzy of interest in the forthcoming Star Wars film: Episode VII – The Force Awakens. As my regular readers will know, I have extensively researched Star Wars, George Lucas, J. J. Abrams and the output of Disney and discovered a mountain of esoteric strangeness and elite agenda connections. I hold firm to my belief that the new film (released this December 2015) will offer many glimpses into the dark side (no pun intended!) of Hollywood’s subversive and esoteric symbolism and themes. Perhaps far more than any previous offering from the “galaxy far, far away”…
Interestingly, the images below were highlighted by a friend of mine who is not an alternative knowledge researcher per se, but does have a keen eye for odd imagery. The two images are taken from the second teaser trailer for the film and my friend believes that that they (respectively) contain subliminal nods to 9/11 (combined with an existing masonic motif in the Star Wars films) and a number of subliminal recurrences of the word “sex”. It wouldn’t surprise me if the latter (as anybody who has looked into the darker nature of Disney will recognise) were accurate. I remain neutral as to the possible veracity of the former as the similarity is only vaguely comparable. Again though, it wouldn't surprise me. As I noted in a previous blog entry, the poster for Abrams' previous film Star Trek: Into Darkness indulged in similar symbolism - although, in that case, there was a direct narrative nod to 9/11. As of yet, I am unaware of such of a theme being included in the narrative of the forthcoming Star Wars film. Even without a narrative connection, the imagery can still exist - see: Super Mario Brothers, The Wiz, Trading Places, the season two finale of Third Rock from the Sun, the list goes on and on. These points of note are never the less interesting and tie into much of the research I have done over the last two years.
As always, I will leave you to draw your own conclusions.
Until next time!
Carl.


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Star Wars: The Force Awakens – Official Teaser Trailer

In the last few days, the first official teaser trailer for Star Wars: Episode VII – The Force Awakens has been released to the general public. I remember a far more naïve time in my life when the mere mention of this would have created goose bumps on my skin: yes, I was raised and indoctrinated by “The Force”! Given my valid concerns about the output of Hollywood (particularly that of Disney), I was immediately raising an eyebrow when it was announced that Disney had acquired Lucasfilm, the Star Wars franchise, would be making a new “Wars” film shortly and that it would be helmed by Disney stalwart J.J. Abrams. I have no doubt in my mind that these new films will not feel like previous Star Wars efforts. There will be an “undercurrent” of something untoward, perhaps somewhat indefinable but it will be there never the less. I base this conclusion on what I have come to understand about the way Disney produces its material. I have written a fair amount on this subject in the past and included some links below for further reading.
Here is the link to the Star Wars: The Force Awakens teaser trailer. Make of it what you will. Obviously there is little yet to glean visually from this teaser, but the voiceover itself says much.
"There has been an awakening. Have you felt it...? The dark side... and the light."
Star Wars: Episode VII - The Force Awakens Official Teaser Trailer #1 (2015) - J.J. Abrams Movie HD - https://www.youtube.com/watch?v=OMOVFvcNfvE

Further Reading:
Disney Darkside Blog Series:
Part 1: http://thetruthseekersguide.blogspot.co.uk/2012/11/disney-darkside-part-one.html
Part 2: http://thetruthseekersguide.blogspot.co.uk/2012/11/disney-darkside-part-two.html
Part 3: http://thetruthseekersguide.blogspot.co.uk/2013/01/disney-darkside-part-three.html
Related Disney material can be found in my Lost Conspiracy Blog Series:
Part 1 - http://thetruthseekersguide.blogspot.co.uk/2013/04/the-lost-conspiracy-part-1.html
Part 2 - http://thetruthseekersguide.blogspot.co.uk/2013/04/the-lost-conspiracy-part-2.html
Part 3 - http://thetruthseekersguide.blogspot.co.uk/2013/04/the-lost-conspiracy-part-3.html

Disney Darkside - Part One

During the last week or so, I have been laid up as a result of a back injury. The reason for this mishap is rather embarrassing and (thankfully) unimportant to the subject of this article. What is relevant is the state it left me in! Incapacitated and doped up to the eyeballs with hospital strength painkillers, I was subject to the tender ministrations of my loved ones. As a result, I have been assaulted with their choice of mind rot – courtesy of the old “Hypnobox” in the corner of the room. Had it not been for the delirious effects caused by the drugs, I’m sure I would have found a way to crawl out the house on my hands and knees and into the path of oncoming traffic…

I have quite a unique perspective on Television and the general “cult of media” phenomenon – having witnessed both sides of the fence: firstly as a sponge, soaking up all that the entertainment industry had to offer and more recently as somebody quite well informed about media machinations and the subliminal, social engineering agenda of the medium. Even in my trippy state, I was still able to clearly recognise the inconsistencies and levels of “high strangeness” that are apparent in TV’s output. It is often with a sense of relief that I have now largely turned my back on this mind muddling conduit, yet I am still baffled that some people just don’t wish to see… even when directed to that which is obvious. Many will say, “How can there be such a carefully orchestrated mechanism with so many people involved?” It is easy really! Any superficial level of research will reveal the mega-corporate nature of the industry. Gone are the days of numerous varied and diverse companies and organisations within the entertainment/communication world, allowing us the option to choose alternative perspectives on the world around us. Most people who are employed by these power houses will rarely question the true intent of industry.

Take America, for example. You can count on one hand how many groups control the vast majority of the industry in the US. The reach of these behemoths doesn’t end there though. Their scope and influence is transnational… practically “global” in every sense of the word. One such example is The Disney Corporation.

At one time or another, Disney has had ownership of a dozen Hollywood outlets (including Touchstone Pictures and Miramax Films), numerous newspapers (including The Kansas City Star, Fort Worth Star-Telegram, The Wilkes Barre Times Leader and The Belleville News-Democrat), a dozen or so assorted publishing houses, a chain of Disneyland resorts, several record companies, roughly 50 TV stations/broadcasters (including ABC and ESPN) and 40-odd radio stations. They have also branched into other areas including: clothing, food, education, and mobile/internet based communication.

Disney has never been shy of franchise takeovers. The incorporation of Pixar and The Marvel Comic’s empire has recently been joined by The Star Wars franchise. There was an immediate media frenzy following the announcement of Star Wars: Episode 7. No doubt this future outing will include such Disney staples as “the lost child looking for their missing parent”, “the band of diverse, stalwart travellers”, “the final confrontation in the enemy’s lair, involving some display of dark magic”… actually, now I think about it, George Lucas already did that! Maybe Lucas wasn’t such a strong proponent of the so called “Hollywood Rebellion” after all…

In the world of alternative research, Disney is far more than just a vast money making empire with superficial undercurrents of perceptual engineering directed at the minds of impressionable youngsters. It is difficult to nail down the specific roots of these darker and altogether sinister claims. However if there is any truth to them, they deserve closer scrutiny. These allegations draw upon Disney’s association with the US Military / Industrial complex, the FBI, CIA, NSA, NASA, and so forth. As a result of endless personal accounts, there are even allegations of Disney’s   intricate role in a programme of state sponsored, trauma based mind control.

Some of the former claims can at least be solidly quantified. During the 1940s, The “House of Mouse” became a literal propaganda machine for the ruling structures of the US. “Shortly after the release of Dumbo in October 1941, the US entered World War II. The U.S. Army and Navy Bureau of Aeronautics contracted most of the Disney studio's facilities where the staff created training and instruction films for the military, home-front morale-boosting shorts such as “Der Fuehrer's Face” and the 1943 feature film “Victory through Air Power.” (Wikipedia)

This does seem rather odd considering that it has also been claimed that Walt Disney was sympathetic to certain Nazi doctrines. In the 1930s, he welcomed German filmmaker and Nazi propagandist Leni Riefenstahl to Hollywood to promote her film Olympia. Even after news of Kristallnacht broke in November 1938, Disney did not cancel his invitation to Riefenstahl.

In 1941, the U.S. State Department sent Disney and a group of animators to South America as part of its “Good Neighbour” policy and was subsequently contracted by various arms of the US Government to produce a number of   “educational” and “informational” live action and animated films on their behalf, including a collaboration with NASA rocket designer Wernher von Braun: “Man in Space” and “Man and the Moon” in 1955, as well as “Mars and Beyond” in 1957.

“In 1947, Walt Disney testified before the House Un-American Activities Committee (HUAC), where he branded Herbert Sorrell, David Hilberman and William Pomerance, former animators and labour union organizers as Communist agitators. All three men denied the allegations and Sorrell went on to testify before the HUAC in 1946 when insufficient evidence was found to link him to the Communist Party. He also accused the Screen Cartoonists Guild of being a Communist front, and charged that the 1941 strike was part of an organized Communist effort to gain influence in Hollywood.” (Wikipedia) Disney himself was a founding member of the anti-communist group Motion Picture Alliance for the Preservation of American Ideals.

The FBI files on Disney make for interesting reading. According to researcher Fritz Springmeier, “Just prior to W.W. II, the FBI recruited Walt Disney. His job was to spy on Hollywood or anything else that looked suspicious. Documents obtained from the Freedom of Information Act, in spite of heavy censoring, clearly show that Walt Disney became a paid Special Correspondent asset of the FBI. He reported to FBI agent E.E. Conroy. In 1954, Walt was promoted to Special Agent in Charge (SAC) which means others reported to him. After "leaving" the CIA, ex-DCI (ex-head) of the CIA William Hedgcock Webster became a lawyer for the Wash. D.C. based firm of Milbank, Tweed, Hadley and McCloy. In 1993, when news broke about Walt Disney’s FBI membership, ex-CIA head Webster worked with the Disney family to cover up to the public that Walt Disney was an FBI agent. Webster went on TV and had interviews to spread the fabrication that Walt was not connected to the FBI. Why?”

From several quarters, it is additionally suggested that Walt Disney even participated in classified CIA projects (including MK-ULTRA). There are also claims that he was a Freemason. Proof of these two aspects is a little sketchy though. Finally, it’s worth noting that he extensively travelled and spent time with Steven Rockefeller (yes, those Rockefellers!) and Dr Hadley Cantril. Cantril was an expert on perceptual psychology and human behaviour, but is also known to alternative researchers for his involvement with the Princeton Radio Research Project – funded by The Rockefellers and the modus operandi of the infamous “War of the Worlds” radio psy-op.

Given that Walt was the man at the top, it seems entirely plausible that certain beliefs and agendas (that perhaps encapsulate some of the aforementioned aspects) would have filtered their way into the output of the Disney franchise.

What is actually quite startling is the true nature of Walt Disney World. It seems that the Florida Governor at the time gave “Disney World” virtual self-determination and autocracy in every legal sense. The property in Florida was totally under Disney’s jurisdiction, they had their own laws, their own police force, their own hospitals, and their own tax rate. No outside authority would interfere with Disney’s jurisdiction. Walt Disney World became (for all intents and purposes) an independent state within a state. Security for the region is staggering. Walt Disney, Inc. teamed up with Los Alamos and Sandia Labs to develop body scans, branding and access codes for the visitors to Disney’s theme parks. This association with Los Alamos, etc. (combined with the bizarre stories relating to the huge labyrinthine network of tunnels underneath Disney World), ties into the countless stories of alleged trauma based, mind control programming of children in Disney resorts.

America’s Most Wanted has documented numerous cases of children being kidnapped at Disney Amusement Parks. “One mother, who got separated from her child when getting off a train, frantically, told a guard her child was missing. The guard took her to the monitor room, where they saw the kidnapper carrying the child out of the park with the boy slumped over his shoulder. In that short of a time, the kidnapper had drugged the child, cut his hair different, and put a different shirt on him. (This anecdote was mention in Inside the Mouse, pg. 52) This mother was one of the fortunate few who did manage to find their kidnapped children.” (Springmeier)

I have often found the whole concept of Disney (especially their resorts) to have a very “Stepford” / “Shiny Happy People” veneer to it. Interestingly (whilst having to endure mainstream TV, because of my injury), this was brought home to me when I caught an episode of the famous US sitcom “Roseanne”. The season 8 episode, “Springtime For David”, involves the son-in-law (David) getting a job at a theme park, staffed by eerie, hyperactive employees. The park is not Disneyworld, but it is curious that the episode immediately follows on from a run of episodes set in Disneyworld. There is a telling line when David says, “It says right on the brochure 'this is not a brainwashing camp'.” To which Roseanne replies, “Yeah and I put my correct weight on my driver's license!”

There is a lot more significance to this when you consider that Roseanne Barr has all but stated that she believes herself to be a trauma based mind control victim…

I will address this aspect of programmed celebrities and the alleged connections to Disney in part 2.

To be continued…

Part 1: http://thetruthseekersguide.blogspot.co.uk/2012/11/disney-darkside-part-one.html
Part 2: http://thetruthseekersguide.blogspot.co.uk/2012/11/disney-darkside-part-two.html
Part 3: http://thetruthseekersguide.blogspot.co.uk/2013/01/disney-darkside-part-three.html

Books available from Carl James:
Science Fiction and the Hidden Global Agenda - Volume One - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-one/paperback/product-23209429.html
Science Fiction and the Hidden Global Agenda - Volume Two - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-two/paperback/product-23209433.html
What Really Happened at the London 2012 Olympics - http://www.lulu.com/shop/carl-james/what-really-happened-at-the-london-2012-olympics/paperback/product-23221527.html