Just when you thought it was safe to forget about “Olympic weirdness”, along comes The Paralympic Games opening ceremony! I’m not entirely sure why I decided to clock it, but I have to say I’m stunned! Did they get all the hoopla wrong? Should these two events have been the other way around in terms of global attention? Who knows if there were less or more eyes on this spectacle, but it seems that those who infiltrate the proceedings with imagery and symbolism have been having a field day with The Paralympics opening ritual. The event made the London Olympics rituals look like a dress rehearsal. I made some extensive notes whilst analysing it, however keeping it in some sort of narrative chronology or context was next to impossible given how downright bonkers it was. I will, never the less, make an attempt.
The title was “Enlightenment”… yes they really were being that brazen! The theme was allegedly liberty and progress through advancement (science and literature featured heavily). On the surface, this seems all well and good in relation to the notion of Paralympic athletes. It didn’t take long to realise that there was a mass of underlying imagery meshed into the proceedings.
Beginning with Stephen Hawking, we were soon presented with 600 dancers with umbrellas (many of whom were flying around the stadium) and quick flashes of words like “flawless” and “precise” across the stadium seating pixels. The inclusion of the umbrella (rain / cleansing) motif is often associated with (what some call) “illuminati” symbology, yet it is also readily connected to the Monarch Mind Control phenomenon. It was also telling that the soundtrack to this was (“Illuminati Princess”) Rihanna’s “Umbrella”. The Tempest / Miranda paradigm was also flagged with a red (Monarch again) umbrella and also included a section where the Miranda character set sail on a red upturned umbrella / “brolly boat”.
The central point of the stadium was a black umbrella. I nearly had a seizure when I thought it had six sides, effectively forming an almost two dimensional representation of the “black cube” – intricate to the Saturn Worship, which is a widespread aspect of the freemasonic / illuminati / agenda players’ belief system. It turned out to have seven sides though! Perhaps six would have been a little too obvious…
The Saturn imagery was still in attendance though. The logo for The Paralympic Games is effectively a graphic of Saturn and its rings and appeared on monitors and flags throughout. The logo consists of 3 “agitos” ("I move" in Latin) orbiting a single point. It is interesting that it sits within the large square (cube) of the 2012 logo. The Paralympic motto: "Spirit in Motion", is also noteworthy. It was also interesting that this flag was raised to the strains of Holst’s “The Planets”. The piece in question was (No not “Saturn”!) “Jupiter”.
How is this relevant? It reminds me of how Stanley Kubrick originally went with the “black cubes” motif, and Saturn as the location of the “stargate” portal in his classic film: “2001 – A Space Odyssey”. It is well documented that his effects team worked on Saturn footage for almost a year before the men in suits stepped in and said, “Absolutely not! We’re going with Jupiter!” Those within the agenda have long laboured their efforts to shift the significance within belief systems (for the perceptions of the masses only) from Saturn to Jupiter. So a nice subtle touch there then!
Despite all of this being hidden within the themes of science and astronomy, anybody who has started to look beneath the surface will know that celestial deification is the root of “accepted” belief systems. In the section: “A Tribute to Navigation”, the nature of the imagery could not have been more apparent when the whole spectacle was flanked by a huge number of dancers forming a hexagon (Cube) pattern across the stadium floor, with lines (rings maybe?) trailing off either side… showing a representation of Saturn as the dominant planet. An unusual hexagonal atmospheric formation has also been photographed on Saturn in the past. Weird eh?!
Another recurring idea that quickly became obvious was the notion of these impaired athletes as “superhuman”. This was reiterated in the accompanying commentary by suggestions that science and technology makes it all possible. They repeatedly explained how “better equipment” makes for “better, more likely to succeed, competitors.” There were also nods (within the literary references used) to “Men like Gods.” This seemed to be backed up with scenes of impaired sports folk flying around the stadium and walking in mid-air. It really does play into the “post-human / trans-human” scenario that is continually applauded by those in the upper echelons of power.
More worrying was the emphasis on military personnel who, having suffered loss of limbs in combat, had gone on to become athletes in The Games. One of those who delivered the ritual torch (who incidentally “flew” into the stadium from the Orbit Tower) was such an example. This, combined with a possible trans-human agenda, is eerily close to the notion of “super soldiers” – an area that more and more alternative researchers are paying close attention to.
As usual, the concept of light and fire was in abundance. There was an action replay of the ritual cauldron lighting from The Olympic ceremony and continual references to “looking to the light”, chanting (close to the start) about “believing in the light”, the song lyrics “eternal source of light divine”, even Bored Coe called the proceedings “a landmark in the progress of mankind toward the light.” The black umbrella eventually became a giant reading lamp (source of light), which broke into seven triangular sections to reveal a golden sphere – incidentally made of several rings.
As the event unfolded, I was struck by how bizarre things were really getting. In the midst of the trippiness, I have to admit to being amused (unintentionally) by the sight of Orbital playing a track with samples from Stephen Hawking. Hawking was placed in the midst of this chaos and the camera tracked past him for a second. It was a surreal sight, like he'd fallen asleep in the middle of an outdoor rave back in the 1990s!
As is often the case with these things, I began to lose the will to live (amongst the incoherence) and simply made notes.There was the usually black, white and red costume/set pieces, several checkerboard patterns, one or two butterflies (again), a maze, a load of green dancers wearing masonic masks and headdresses and several references (within the framework of “The Tempest”, but ultimately Huxley) to “Brave New World.” There was a giant moon globe hanging over the head of the stadium floor and a sneaky nod to mind control when Miranda is urged to “transform our perceptions” and “break the glass ceiling and set us free.” Even Jon Snow joined in afterwards by saying that he hoped the ceremony would encourage people to “open up our minds and take the next step.”
It was also curious to see just how many royals and politicians were in attendance this time.
A couple of final thoughts: I’ve noticed a few researchers pointing out the heavy involvement of several perception steering groups such as Common Purpose with The Paralympics. Although this wouldn’t surprise me in the slightest (they have affiliations with the London Arts Council, who in turn are associated with these Games), I have yet to look more closely into this. I hope that the likes of Brian Gerrish (who has revealed an awful lot about such activities) will endeavour to highlight any evidence that points to this.
There has also been a disturbing link between 7/7 and The Paralympic Games. Channel 4 (who are broadcasting The Games) presented a film immediately before the commencement of the opening ceremony. The film was about a Team GB Paralympic athlete who has become such as a result of being involved in the tube explosion on that day. Whilst I truly don’t wish to trivialise the traumas suffered by anybody involved in 7/7, I also know that there is a hell of a lot that the mainstream media (and the powers that be) are hiding about it. Continually reinforcing the dogma of half-truths and fear mongering about said fictional terrorists destroys all credibility within the media (as if they have any now anyway!), makes for piss-poor investigative journalism and undermines any attempt to get to the truth of the matter… but I suppose that’s the point in doing it.
At any rate, it should have no place within this setting and certainly not as a sentimental tool to pull at the heartstrings of the masses.
I’m not entirely sure why the organisers of The Paralympics Games have decided that now (rather than a few weeks ago) is the time to pull out the big “illusory” guns. If nothing else, it proves what sick, twisted little minds they have… and why I really should stop paying attention to it.
If we did that though, they’d probably pull a fast one while we weren’t looking!
History has already proven that much.
Until next time.
The Truth Seeker’s Guide.
London Olympics 2012 - Related Articles:
Part 1: "The Culture of Fear" -
http://thetruthseekersguide.blogspot.co.uk/2012/07/london-2012-part-1-culture-of-fear.html
Part 2: “Zion, Messiahs, Plagues… Oh My!” -
http://thetruthseekersguide.blogspot.co.uk/2012/07/london-2012-part-2-zion-messiahs.html
Part 3: "Close Encounters of the Olympic Kind" -
http://thetruthseekersguide.blogspot.co.uk/2012/07/london-2012-part-3-close-encounters-of.html
Part 4: "Shadows and Symbols" -
http://thetruthseekersguide.blogspot.co.uk/2012/07/london-2012-part-4-shadows-and-symbols.html
Part 5: “London Calling” -
http://thetruthseekersguide.blogspot.co.uk/2012/07/london-2012-part-5-london-calling.html
Part 6: "And Finally... Some Mind Games!" -
http://thetruthseekersguide.blogspot.co.uk/2012/07/london-2012-part-6-and-finally-some.html
The Opening Ceremony of The London Olympics 2012 -
http://thetruthseekersguide.blogspot.co.uk/2012/07/the-opening-ceremony-of-london-olympics.html
The Who Sell Out - London Olympics Closing Ceremony -
http://thetruthseekersguide.blogspot.co.uk/2012/08/the-who-sell-out-london-olympics.html
The Paralympic Games, Saturn Worship and Other Oddities -
http://thetruthseekersguide.blogspot.co.uk/2012/08/the-paralympics-saturn-worship-and.html
Books available from Carl James:
Science Fiction and the Hidden Global Agenda - Volume One - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-one/paperback/product-23209429.html
Science Fiction and the Hidden Global Agenda - Volume Two - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-two/paperback/product-23209433.html
What Really Happened at the London 2012 Olympics - http://www.lulu.com/shop/carl-james/what-really-happened-at-the-london-2012-olympics/paperback/product-23221527.html
The reduced involvement of Star Trek creator Gene Roddenberry, heralded a new and entirely murkier direction for the franchise. Much of this can be blamed (ironically) on George Lucas and Star Wars. Paramount Pictures knew that they had a potentially huge profit making machine on their hands, however the involvement of Roddenberry became a huge thorn in the side of their franchise plans. Roddenberry, still very much interested in all things esoteric, wanted to make cerebral science fiction - along the lines of Kubrick’s 2001: A Space Odyssey. However, space battles and epic adventure were the call of the day.
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| Harve Bennett |
Despite the financial success of Star Trek: The Motion Picture, Roddenberry was increasingly pushed into the background. This allowed Paramount to hand the reins of Trek over to others. Amongst those now in charge were: Harve Bennett, Nicholas Meyer and Leonard Nimoy. The following five movies took the franchise in a far more militaristic direction - no surprise, given that many of those involved in the overall production of the films, came from military families or backgrounds. Harve Bennett alone was decorated with the Outstanding Civilian Service Medal, the Department of Defence’s second-highest civilian decoration. The principle Art Director on the first movie of this new direction was Lee Cole, who had previously worked for Rockwell / Aerospace. The list goes on…
Sets were redesigned along darker, more submarine like lines and costumes became literally ‘uniform’ in colour and style. The rank and insignia also (strangely) became far more freemasonic in nature, displaying a striking similarity to some of their medallion regalia. The writers also seemed to focus on some usual concepts that were either expanded from the original series or new. Harve Bennett said that at the core of the movies was “a trinity… a triangle… logic from Spock, passion from Bones and there’s Kirk, who has to say: ‘we have to do it this way’” Some interesting use of archetypes in that statement!
The subject matter of the movie series could also stand a little scrutiny. ‘The Wrath of Kahn’ deals predominantly with the destruction of supporting mechanistic units – family, friendship… in other words: the dismantling of communities. ‘The Search for Spock’ tackles death and rebirth. ‘The Voyage Home’ is built around ecological issues. ‘The Final Frontier’ addresses organised religion, and ‘The Undiscovered Country’ deals with fear based, preconceived notions of “who the enemy is”. It is strange that documents such as ‘Silent Weapons for Quiet Wars’ and ‘Report from Iron Mountain’ (as well as many others) highlight these specific areas as primary means through which a global agenda could control and manipulate humanity into willing servitude.
Sensing the sea change, Roddenberry tried to reaffirm his perspective of Star Trek in 1986 when he approached Paramount in the hopes of bringing the franchise back to TV land. His efforts paid off and in 1987, Star Trek: The Next Generation was launched. By the third season, his deteriorating health reduced his involvement again to an advisory capacity for another year at most. By this point, a second group had stepped in to steer the franchise. Led by Rick Berman, this group included (at various points): Michael Piller, Jeri Taylor, Ronald D Moore, Ira Steven Behr and Brannon Braga. The importance of Trek, by this point, even prompted a visit by Ronald Reagan to the sets. Subsequent series became a curious mix of their own perspectives, contemporary television agendas, Roddenberry’s vision and the militaristic approach to the Trek universe as seen in the movie series.
More obvious at this point (although it had existed for a long time) was the emerging role of Star Trek as a recruiting tool for the military/industrial complex - especially the likes of NASA. Trek had a longstanding relationship with NASA and is no more apparent than in its plans to name the first space shuttle “Enterprise” - despite the conviction that a 400,000 strong letter campaign was the catalyst for the naming decision. Something that I suspect came after the fact…
I have often found it curious that more people haven’t noticed the continued similarity in the logos of the branches of the Department of Defence – in relation to Star Trek. The various branches of NASA, JPL, Aerospace, Space Defence, and so forth, all incorporate the chevron aspect to their logos. This is also true of the space agencies of numerous nations across the world. It is the same chevron that has become synonymous with ‘Trek’. We really should ask the question – why?
The serials had scientific advisors (predominantly Andre Bormanis and Naren Shanker) who had extensive connections with the various branches of the military/industrial complex. The Next Generation played host to the likes of Stephen Hawking and Dr Mae Jemison (NASA). Hawking played himself in the episode “Descent” and Jemison played a transporter operator in “Second Chances”. Many of the Starfleet shuttlecraft vehicles were named after prominent figures within the arena: the “Goddard” (for rocket scientist Robert H. Goddard), the “El-Baz” (for planetary geologist Farouk El-Baz), the “Hawking” (for Stephen Hawking), and so on. A prominent writer on the show was (son of Carl) Nicholas Sagan, whose father was name-checked throughout the history of Trek.
The sets of the subsequent serials were frequented by employees of the establishment – no more obvious than when three naval officers from the USS Enterprise (CVN-65), Robert S. Pickering, Sara Elizabeth Pizzo and Timothy J. Whittington visited the “Star Trek: Enterprise” soundstages, presented a plaque to the producers, and were allowed cameos roles in this episode: “Desert Crossing” - as engineering officers. The involvement of the military is also carefully documented in David L. Robb’s book: “Operation Hollywood”. The producers of the fourth movie (‘The Voyage Home’) were allowed to film a portion of the feature on the aircraft carrier USS Ranger (which doubled for the carrier USS Enterprise) in exchange for extensive Pentagon rewrites to the script. Military P.R. at its best!
Several of the ‘Trek’ cast members went on the have extensive involvement in these arenas. Nichelle Nichols (Lt. Uhura) became an advocate of women and ethnic minorities in NASA. Nichols was perhaps spurred on by her infamous encounter with Dr. Martin Luther King Jr. (who encouraged her to remain involved with Star Trek), and certainly by the presence of Dr. Jesco von Puttkamer (NASA’s science director and a fan of the show) as a featured speaker at a convention in Chicago during 1975 – which Nichols also attended. Puttkamer’s presentation about the space program represented the first time that NASA had an official presence at a Star Trek convention. In her 1994 autobiography, Nichols described how she was “inspired” by his presentation and decided to address “the space agency’s poor record of inclusion”. Eventually, she was appointed to the Board of Directors of the National Space Institute (NSI) and was hired to head up an “outreach” program of recruitment into NASA. In more recent years, she has moved in much higher political circles and was cited as an “inspiration” by Barack Obama…
Another cast member, Levar Burton (Chief Engineer Geordi La Forge), has also travelled a similar path. Burton became involved with numerous causes and his activist work has placed him in several political circles. Most notable of these is his involvement with The Institute of Noetic Sciences (IONS) which was co-founded in 1973 by former astronaut Dr Edgar Mitchell and investor Paul N. Temple to encourage and conduct research on human potentials (see also, Esalen). I could talk at length here about Dr Mitchell (and IONS!)… The short and long of it is that he is somebody who has changed his views on extra-terrestrial life, secret space programs, and so on, more times than I’ve had hot dinners! It appears likely that he has (over time) become an agenda disinformation agent. However, please don’t take my word for it. Take the time to do the research and I suspect you’ll see for yourself.
In 2007, Burton was the host and executive producer of a documentary entitled “The Science of Peace”. It “investigated the science and technology aimed at enabling world peace, sometimes called peace science. The film explores some of the concepts of shared noetic consciousness, having been sponsored in part by the Institute of Noetic Sciences.” (Wikipedia)
Robert Picardo (Voyager’s ‘Emergency Medical Hologram’) has been extensively involved with NASA/JPL and has served on the advisory board of The Planetary Society for (to my knowledge) at least the last 15 years. The Planetary Board is an interesting curiosity. Despite being dedicated to promoting mainstream scientific notions of space explorations (i.e.: Mars is red… even though it clearly isn’t JUST red!), it is interesting to note that The Planetary Society is (by its own admission) sponsored by the likes of Underwriters Laboratories… so a huge number of questions should be asked, especially given the connection between Underwriters and the 9/11 cover story.
James Doohan (Scotty) also had an association with NASA. He is documented as having visited their Dryden Flight Research Centre in 1967 and was once praised by Neil Armstrong (an engineer before he participated in NASA's Apollo program), who told him on stage at Doohan's last public appearance, "From one old engineer to another, thanks, mate." In the mid-1980s, Deforest Kelley (Bones) guested on Bill Jenkins "Open Minds" radio show. Whilst discussing a UFO encounter he once had (as well as being witness to the 1942 “Battle of Los Angeles” event), he talked about the intimate relationship between NASA and Trek. "We have perhaps the biggest university audience in the country. NASA works with us... there is always somebody there from NASA, because they feel that we have lassoed the youth so to speak and they're there to sell them on their program... (many enter) into all fields of the sciences as a result of the show."
I don’t wish to claim that these actors have an ulterior motive. I am simply connecting the dots. Several actors have been involved with projects that also discuss hidden global agendas. Jonathan Frakes has worked on several documentaries that discuss (amongst other things) the likes of Ufology, weather modification and HAARP. He has also written several fictional books on similar subjects. James Doohan also narrated a feature that addressed (in depth) Cold Fusion, entitled: "Cold Fusion: Fire From Water." http://www.youtube.com/watch?v=gGJiLrG3fLY
As with many who work in the military/industrial complex, I suspect that they (in most cases) have no real insight into the true depths of these organisations. By this, I mean a set of hidden agendas… because they clearly exist. It is not a discussion about the true nature of ET life (for example), which is a subject for another article entirely… I know how some people love to debate the matter! It is really about the fact that something underhand is obviously going on, even if we don’t necessarily understand the shape of it.
Under the original charter, it states that “NASA is an adjunct/division of the Department of Defence and it is beholden to the Department of Defence.” It is no exaggeration to state that NASA is part of a massive cover-up on the part of the establishment. When you question why there should be the existence of “ET retrieval teams”, why Gary McKinnon discovered references to the “transfer of non-terrestrial officers”, why NASA keeps a “Chronological Catalogue of Reported Lunar Events”, why astronauts have witnessed unknown craft in Earth orbit and around the moon, why various agencies feel the need to doctor many of the probe images that are taken of the planets in our Solar System… it becomes clear why many have redubbed the acronym NASA as “Never A Straight Answer.”
Do the makers of Star Trek realise this? It would be naïve to think that there isn’t anybody behind the production who knows the score to some degree. Star Trek obviously served a purpose for the agenda players.
This is not an accusation of blame directed at Gene Roddenberry, but it is telling that NASA posthumously awarded him the Public Service Medal in 1992. It seems that Star Trek was considered “a job, well done” by those in the military/industrial establishment.
In the final part, I will look at some of the more downright bizarre aspects of Star Trek speculation on the part of the various alternative researchers. I will also look at the third and final group to take control of the franchise and create a particularly dark coda to the Trek story. Enter Mr J.J. Abrams!
Until Next time.
The Truth Seeker’s Guide.
Part 1 - http://thetruthseekersguide.blogspot.co.uk/2012/06/star-trek-conspiracy-part-one.html
Part 3 - http://thetruthseekersguide.blogspot.co.uk/2012/06/star-trek-conspiracy-part-three.html
Books available from Carl James:
Science Fiction and the Hidden Global Agenda - Volume One - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-one/paperback/product-23209429.html
Science Fiction and the Hidden Global Agenda - Volume Two - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-two/paperback/product-23209433.html
What Really Happened at the London 2012 Olympics - http://www.lulu.com/shop/carl-james/what-really-happened-at-the-london-2012-olympics/paperback/product-23221527.html
