Good Vibrations Podcast #113 - Carl James - The London 2012 Olympics Revisited

I recently had the privilege of being interviewed by Mark Devlin for a return visit to his excellent Good Vibrations Podcast series. Here is an overview of the interview from Mark’s website:

“In the months leading up to London's hosting of the 2012 Olympic games, many alternative researchers were speculating on whether the event was to be used to launch another society-changing false-flag "terror" event, of the type we have seen so often since. Thankfully, nothing of that nature did occur. But today's returning guest, author Carl James, argues that a massive mind-control psy-op was, in fact, perpetrated on the public through the ritualistic and symbolic aspects of the opening and closing ceremonies. His contention forms the basis of his new book, 'What Really Happened at the London 2012 Olympics,' and he guests on Volume 113 to share his findings. Aspects discussed include the predictions of the late Rik Clay, the role of Russell Brand, connections to the Live 8 and 7/7 events of 2005, and Predictive Programming contained in Dr. Who.”

The interview can be listened to at the link below:

Good Vibrations Podcast #113 - Carl James - The London 2012 Olympics Revisited - https://www.spreaker.com/user/markdevlin/gvp-113-carl-james-the-london-2012-olymp

For those of you interested in further researching the subjects discussed in this interview, my latest book “What Really Happened at the London 2012 Olympics” is available from Lulu Publishing at the following link: http://www.lulu.com/shop/carl-james/what-really-happened-at-the-london-2012-olympics/paperback/product-23221527.html

For more on the topic of Doctor Who’s synchronicities, themes and oddities, I recommend a recent video I have uploaded to my YouTube channel: “Doctor Who - Themes & Symbolism - From 7/7 to Saturn Worship” - https://www.youtube.com/watch?v=kzjcH2gJ1hY

Volume Two of my 2016 book “Science Fiction and the Hidden Global Agenda” also includes several chapters of extensively researched material on the subject of Doctor Who and its connections and synchronicities with alternative knowledge research subjects. The book is also available from Lulu Publishing at the following link - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-two/paperback/product-23209433.html

I hope you enjoy the interview for the Good Vibrations podcast and many thanks again to Mark for bringing me on the show to discuss the subject.

Carl (The Truth Seeker’s Guide)

Doctor Who - Themes & Symbolism - From 7/7 to Saturn Worship

Hi folks!
I have uploaded a new video to my YouTube channel entitled: "Doctor Who - Themes & Symbolism - From 7/7 to Saturn Worship." I have been meaning to put something together on this subject for quite a while and it seems an appropriate time given the recent renewed interest in the BBC's popular TV show "Doctor Who". In this video, I have used portions of the research included in my book, "Science Fiction and the Hidden Global Agenda" - Volume Two, along with some new bits and pieces. I look at the foreshadowing of 7/7 in the (pre-7/7) 2005 first season of "Doctor Who", as well as the repeatedly visited themes and symbolism indicative of occultism, arcane and mystery school knowledge, secret society beliefs and the practice of Saturn worship. I also touch on some synchronicities with the London 2012 Olympics - a subject I have covered comprehensively in my new book - "What Really Happened at the London 2012 Olympics" - available from Lulu Publishing here: http://www.lulu.com/shop/carl-james/what-really-happened-at-the-london-2012-olympics/paperback/product-23221527.html
The link to the video is below. I have also embedded the video on this page. Please give the video a watch and a "thumbs up" if you like it. Many thanks, as always, for all your support.
All the best for now!
Carl (The Truth Seeker's Guide.)

Doctor Who - Themes & Symbolism - From 7/7 to Saturn Worship
https://www.youtube.com/watch?v=kzjcH2gJ1hY

Science Fiction and the Hidden Global Agenda - 2016 Edition - Volumes One and Two - NOW AVAILABLE!

Since the first publication of my book "Science Fiction and the Hidden Global Agenda", I have continued to study the book's subject matter at length. This research eventually prompted the need for numerous updates and revisions to the original book, along with the incorporation of brand new research material on the subject. The latter includes a wealth of new material on Stanley Kubrick, George Lucas and Ridley Scott, new material incorporating the Laurel Canyon scene and the "death" of Sharon Tate into the context of the book, the connections between the Back to the Future film franchise and 9/11, the role of Doctor Who as a mass purveyor of arcane and predictive programming symbolism, the increasing prevalence of Saturn symbolism in film and television, and much, much more. The resulting 2016 edition of the book weighed in at almost 800 pages long! As a result, I have now published "Science Fiction and the Hidden Global Agenda" - The 2016 Edition as a split / two-volume work. As with the first edition, these books are being produced, printed and published via Lulu Publishing. Volumes One and Two of the 2016 Edition are now available to purchase in paperback format from their website. All of the relevant information and links are below.

Science Fiction and the Hidden Global Agenda - 2016 Edition Volume One
"In Volume One of this comprehensively updated 2016 edition of "Science Fiction and the Hidden Global Agenda", alternative knowledge researcher Carl James explores the formative years of science fiction via the pioneers of the literary genre and their myriad of connections to the global power elite. He also examines how future "space exploration" came to be depicted in the genre and exposes how science fiction acted as a perception management mechanism for the likes of the extra-terrestrial paradigm and the escapades of organisations such as NASA, JPL, the U.S. Department of Defense, and the CIA. This research exposes all manner of secret military and intelligence experiments, cover ups and conspiracies of silence, and a larger global agenda mechanism."
http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-one/paperback/product-23209429.html

Science Fiction and the Hidden Global Agenda - 2016 Edition Volume Two
"In Volume Two of this comprehensively updated 2016 edition of "Science Fiction and the Hidden Global Agenda", alternative knowledge researcher Carl James explores how science fiction has been used by the global power elite to shape mass perceptions of reality. He also examines the "mind control" phenomenon, the culture of fear, false flag events and the media's growing obsession with embedded arcane and occult symbolism and themes. This research exposes all manner of secret military and intelligence experiments, cover ups and conspiracies of silence, and a larger global agenda mechanism."
http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-two/paperback/product-23209433.html

Free downloadable PDF versions of the books are available from Andrew Johnson's website http://www.checktheevidence.com
See the links below:

Science Fiction and the Hidden Global Agenda - 2016 Edition - Vol 1.pdf (3 MB) (Modified: Aug 20 2016 09:14:41 PM)

http://www.checktheevidence.com/pdf/Science%20Fiction%20and%20the%20Hidden%20Global%20Agenda%20-%202016%20Edition%20-%20Vol%201.pdf

Science Fiction and the Hidden Global Agenda - 2016 Edition - Vol 2.pdf (2.8 MB) (Modified: Aug 20 2016 09:14:30 PM)

http://www.checktheevidence.com/pdf/Science%20Fiction%20and%20the%20Hidden%20Global%20Agenda%20-%202016%20Edition%20-%20Vol%202.pdf

The original first edition of the book is no longer available as a paperback version from Lulu, however a free PDF version of the original version is still available to download from checktheevidence.com. Click the link below to download this version of the book:
http://www.checktheevidence.com/pdf/Science%20Fiction%20and%20the%20Hidden%20Global%20Agenda%20-%20Carl%20James%20-%201st%20Ed%20-%202014.pdf

As always, many thanks for all your continuing support and I hope you enjoy my new books. Please spread the word far and wide!!
Best wishes,
Carl James. (http://thetruthseekersguide.blogspot.co.uk/)

Foxes, Saturn, Kubrick, Doctor Who and The Singularity

I was recently talking with a musician friend about symbolism in pop videos. The significance of this symbolism is probably well known to those people who take an interest in some of the subjects I discuss here on my blog. For the benefit of those people who aren’t so clued in, it appears that such symbolism is indicative of the various elite agenda players (and their myriad of dark belief systems) who orchestrate much of what really goes on in the world. My friend mentioned a recent “rising star” in the contemporary pop scene whose music and videos (like so many others before them) are littered with obscure symbolism. The name of this “artist” is Foxes. Foxes released her debut single, "Youth", in early 2012 and was subsequently signed to the music “industry” stalwart Simon Fuller. Since then, she has had a highly visible and successful musical career.

In fairness, I was only vaguely aware of her music and decided to take a closer look at some of her material – specifically her debut single. The video for “Youth” contains many themes that are now commonplace in pop videos – such as Disney’s Mickey Mouse “ears” and the conditioning of youth disinterest in things that should matter. The video can be viewed here: http://www.youtube.com/watch?v=sx0x5aRPhgk

One theme, in particular, caught my attention – the prominence of animal masks. One mask (that of a bear) seemed to spark some sort of synchronicity with a disturbing scene in Stanley Kubrick’s film “The Shining”, where Shelley Duvall’s character witnesses a bear-masked individual in a, shall we say, compromising position! In my recent articles on Stanley Kubrick, I discussed the connection between Kubrick and the various aspects of Saturn Worship. Saturn symbolism is highly visible in the mainstream entertainment media, especially in science fiction. This is a subject I have covered both here on my blog and in my recent book “Science Fiction and the Hidden Global Agenda”. One science fiction television series, in particular, seems to have a predilection for Saturn symbolism – the UK’s longest running sci-fi series, Doctor Who.

http://thetruthseekersguide.blogspot.co.uk/2014/02/the-stanley-kubrick-conspiracy-part-7.html

 

As I was musing about a possible connection between Saturnian themes and the music/videos of Foxes, I was a little surprised to learn that Foxes will shortly be making her television acting debut. What programme will be serving as the springboard for her possible future acting career? Why, none other than Doctor Who! http://www.bbc.co.uk/mediacentre/latestnews/2014/foxes-doctor-who

 

Doctor Who, like the mainstream music scene, has increasingly become a home of esoteric and agenda symbolism. Several recurring themes (again like music) are “transhumanism” imagery and the “666” motif. A marriage of these themes was effectively played out in the memorable two-part Doctor Who story (written by Russell T. Davies) “Army of Ghosts” / “Doomsday”. The Doctor’s two greatest foes (the Cybermen and the Daleks) battle it out in the story. Both adversaries have always been portrayed as the ultimate amalgamation of the biological and technological – the perfect analogy for transhumanism. The Doctor defeats the armies of the Cybermen and the Daleks by confining them to a dimension devoid of time and space, which he describes as “the dead space… some people call it Hell”. The conduit through which they are banished is called a “singularity”. The “ultimate” integration of the biological and artificial is often discussed by proponents of transhumanism as the “moment of singularity” or “technological singularity”.

http://www.kurzweilai.net/the-transhuman-singularity

 

It is also curious that the portal (in the Doctor Who story) is located on the top floor of Canary Wharf Tower (also known as One Canada Square.) This building actually exists, is obelisk shaped, and topped with a masonic “capstone”. When the building was first opened in 1991, the main architect (Cesar Pelli) gave a bizarre speech: “According to Lao Tse, the reality of a hollow object is in the void and not in the walls that define it. He was speaking, of course, of spiritual realities. These are the realities also of the Canary Wharf Tower. The power of the void is increased and... With its supporting structure creates a portal to the sky ... a door to the infinite.” http://en.wikipedia.org/wiki/One_Canada_Square#Opening

The theme of infinity is also played out in Kubrick’s “2001: A Space Odyssey”. The section of the film where Dave Bowman enters the stargate portal (represented by a “Saturnian” / “Black Cube” monolith) is preceded by the onscreen subtitle “Beyond the Infinite”. There are numerous examples of “portals” allowing access to the “infinite” in science fiction. A curious image appeared throughout the remake of the series “Battlestar Galactica” and seemed to signpost the fate of the character Kara Thrace. This symbol also prefigured her ultimate detachment from the accepted rules of time and space. As she approaches her destiny, Kara Thrace is increasingly referred to as an “angel of death”. The image in the series is referred to as “The Eye of Jupiter”. In modern popular culture, it appears that there has been an increased “elite” effort to supplant Saturnian iconography with imagery that relates to Jupiter. There is no better example of this than the story of Kubrick’s original attempts to realise Saturn – rather than Jupiter – in “2001: A Space Odyssey”. In Battlestar Galactica, the “Eye of Jupiter” is also referred to as “The Mandala”. The origin of this term is also interesting given that mandalas have traditionally been “employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space, and as an aid to meditation and trance induction.” (Note the term “sacred space”.) http://en.wikipedia.org/wiki/Mandala

The image used in Battlestar Galactica is effectively a bull’s-eye / target consisting of sections coloured red, yellow and blue. Such imagery appears throughout popular culture. In keeping with the role that said symbolism plays in suggesting a connection to the infinite dimensions beyond time and space, it should be noted that the motif appears prominently in Doctor Who – specifically as a replacement for the Saturnian hexagons that once adorned the walls of the TARDIS control room. The imagery has recently reappeared in the Peter Capaldi-era redress of the TARDIS interior, yet retains the “Eye of Jupiter” motif – effectively amalgamating Saturn and Jupiter.
In the aforementioned “Doomsday” Doctor Who story, the Doctors notes that the numerical key code needed to activate the singularity / portal is “those co-ordinates over there… set them all at six” – in this case “666”. This number has been uttered many times in the show. It was clearly heard amongst the panicked passengers of the stricken shuttle bus in the episode “Midnight” and suggested as a code to deactivate the crazed robotic “angels of death” (another recurring theme in the genre) in the 2007 Christmas special “Voyage of the Damned”.

Perhaps it is apt that Foxes has decided to appear in Doctor Who. The abundance of the 666 theme, alone, is mirrored in the contemporary pop scene. Indeed, Foxes has indulged in such symbolism. Of course, we should recognise that most “celebrities” do the same things these days. It is entirely plausible that these individuals have little insight into what such symbolism truly represents. Even those of us who are a little more clued in to the machinations of the global elite often struggle to understand what it all really means.

However, the fact that it is there, seemingly superfluous to context, and unsatisfactorily explained is important. It tells us that those who steer the contemporary cultural engine have a vested interest in promoting these themes and motifs, without feeling the need to tell us why. Most people blindly filter out this symbolism – almost as if they have been conditioned to do so. We know that very little of what the global elite do is in the best interests of the masses. When they want us to see (yet not “see”) signs and symbols everywhere, I think we have justifiable reason to be concerned.

 

Stay alert and watch for those symbols, folks!

Until next time,

Carl (The Truth Seeker’s Guide)

*UPDATE - 23/11/14*

Well, what do you know!? Seems my synchro-senses were tingling when I wrote this! At the time of writing (late August) nothing was known about the latter episodes of series eight of Doctor Who or what part (or in what episode for that matter) Foxes would play. Turns out I was wrong about Foxes acting debut - she merely sings a cover of Queen's "Don't Stop Me Now" in the eight episode "Mummy On The Orient Express". However, I was bang on the nose with the 666 symbolism... and without even realising it! In the episode, the passengers of the space train are being killed one by one by an invisible "mummy" - called "The Foretold". What is so special about this monster? It kills it's victims exactly 66 seconds after it is seen by them! Stranger still, The Foretold is ultimately revealed to be a modified stealth super-soldier from a long-ago war. When the Doctor offers their surrender (as to make the Foretold believe the war is over) becomes visible to all, salutes the Doctor, and then disappears into a pile of dust, leaving behind its phase-shifting device. One final note that I previously neglected to mention. Here is a section from pg. 132 of Pierre Sabak's book "The Murder of Reality": "The letters 'F-O-X' in the English language are present, when divided into three equal columns of six and encode the number 666. This number is equated with the Theban priesthood, equated with the fox."

 

The Stanley Kubrick Conspiracy - Part 7: Saturn and the Black Cubes

The larger “Saturnian” context of Kubrick’s films cannot be overlooked. Saturn Worship (also known as “The Saturn Cult”) is seemingly based upon the once overbearing deification of the planet we have come to know as Saturn. A number of researchers assert that the ringed planet may once have occupied a closer position to Earth in the solar system (according to mythology, Saturn was brightly visible from the Earth, occupying a relatively fixed polar north position in the sky), that the Earth and Mars may have orbited Saturn (and that this group of celestial bodies may have once existed outside of our current solar system), that Saturn may once have been a small sub-brown dwarf star, etc. Some researchers claim that a period of (possibly catastrophic) upheaval reconfigured the solar system into its current alignment. Troy D. McLachlan has written an interesting series of articles on this subject:http://saturndeathcult.com/the-sturn-death-cult-part-1/a-timeless-age-in-a-purple-haze/

Conventional science would have us believe that such large scale events haven’t occurred since the initial formation of the solar system. However, the research of Immanuel Velikovsky (as well as several others) suggests this is perhaps not the case. Notions such as “The Electric Universe” model and the effects of plasma physics and (even) hyper-dimensional energy suggest the possibility that our solar system is in a constant state of change. “The Immanuel Velikovsky Archive” http://www.varchive.org/

For an alternative scientific examination of all things Saturn, Norman R. Bergrun’s “The Ringmakers of Saturn” is also an interesting read. http://www.ringmakersofsaturn.com/

Whatever one makes of the various notions regarding Saturn, the powerful interpretation of this planet in ancient mythology and early religion seems to indicate that Saturn was revered highly above other deified celestial bodies (perhaps even more than the Sun and Moon). Modern celestial deification (in the form of the imagery and metaphor portrayed in advertising, art, music, Hollywood and so on) has pushed the significance of Saturn further into the background, favouring the Sun, Moon, and other planets like Mars and (particularly) Jupiter.

However, some elite and secret society belief systems quietly continue to look upon Saturn as a supreme deity. Saturn Worship is often personified by the significance of a black stone or cube. This object has been interpreted as everything from the alchemical “Philosopher’s Stone” to the mythological “Pandora’s Box”. “Literal” black cubes are visible in numerous worldwide locations – ranging from the Apple 24-7 Store in New York, to the Black Cube of Kabba or Mecca.

The current incarnation of the “Black Cube” appears subtly, cryptically, yet widely in contemporary popular culture. The “Allspark” cube of the “Transformers” film franchise, “Lemarchand's Box” (also known as the "Lament Configuration") in the “Hellraiser” movies, the Borg vessels in the “Star Trek” franchise, and so on, are all potential cyphers indicating the black cube concept.

One particular science fiction franchise – the contemporary revival of “Doctor Who” – appears to have a fascination with the imagery. Recent series included several “black cube” prisons designed to incarcerate Matt Smith’s “Doctor” (“Day of the Moon” and “The Pandorica Opens” – the later cube is called “The Pandorica” as in “Pandora’s Box”), as well as a strange episode (called “The Power of Three”) involving a “slow invasion” by billions of small black cubes. The Saturnian clues in “Doctor Who” were perhaps always there. One incarnation of Saturn (in mythology) is “Kronos”. The latter term is usually associated with “chronology” and “time”. The concept of “time” was allegedly created in Mesopotamia by Sargon. Sargon has also been interpreted as “Saturn”. The Doctor is, of course, a “Time Lord”. The TARDIS’ central control console has always assumed a relatively hexagonal configuration. The hexagon is used in Saturnian symbology as it is a two dimensional representation of the three dimensional “cube” shape.

Bizarrely, NASA has taken photographs showing a huge hexagonal feature that encompasses Saturn’s north-polar region! http://www.jpl.nasa.gov/news/news.php?release=2013-350

Obviously, the central motif and plot-driver of Kubrick’s “2001: A Space Odyssey” is the black monolith artefact. Whilst the monolith is certainly a “black stone”, it does not technically extend to being a “cube”. The monolith’s shape is closely analogous though. The film’s screenplay co-writer, Arthur C. Clarke, allegedly had a fascination with the beliefs of The Brotherhood of Saturn. There are various examples of Saturnian symbolism in many of his novels. Some people consider Saturn to be the apex of Gnostic theology and it is worth noting that Clarke’s ground-breaking work “Childhood’s End” is considered by some to be a “Gnostic thesis”. Although the overlap between Gnosticism and Saturnian beliefs does deserve some scrutiny, I tend to view each as a separate paradigm.

The study of Gnosticism has definite merit, at least in my opinion.

Saturn Worship is fascinating and may (I say tentatively) have its origins in more benign rituals and practices. It does appear to have been ultimately usurped by certain elite parties and perverted and twisted for seemingly agenda-related purposes. For this reason, some researchers have branded all aspects of the Saturn paradigm as evil, deviant, and so on. I have tried (equally with “occult” practices and the like) to avoid weighing in on such arguments and try to stick to what is quantifiable.

Before I move away from the Gnostic subject, I have noticed that researcher John Lash has made some observations about “2001: A Space Odyssey” – not in relation to the Saturn aspect, but rather the role of the computer HAL as a symbol of the destructive nature of Artificial Intelligence, and the increasingly reverential, salvationist or submissive attitude that some humans have toward technology. “This objection comes from my studies of the Gnostic teachings that warn about HAL, simulation, artificial intelligence - AKA the Archon factor so clearly described in Gnostic Coptic texts.” "Take Back the Planet" by John Lamb Lash, 2009 - http://www.metahistory.org/dynamyth/Avatar.php

There is some controversy over the “original” setting of the story of “2001: A Space Odyssey” – was Jupiter really the intended locale (as seen in the released film) or was it Saturn (as featured in Clarke’s novel)? Arthur C. Clarke wrote the novel “concurrently with the film version and published it in 1968, after the film's release.” Arthur C. Clarke, “The Lost Worlds of 2001”, 1972, Signet

Interestingly, in Clarke's novel, the specific destination of the “Discovery” is the Saturnian moon Iapetus (which Clarke spelled with a 'J'). I have often wondered why Clarke chose this bizarre celestial body as the specific location. The NASA Cassini photographs of Iapetus revealed a perfectly linear equatorial ridge (actually three parallel ridge lines) three miles high, which span half the moon’s circumference. The moon also has an odd polygonal curvature to its surface. These abnormalities have prompted some individuals to suggest than Iapetus may be somehow “artificial” in nature. The curious similarity with George Lucas’ Imperial “Death Star” battle station (from the “Star Wars” films) has also earned Iapetus the moniker “the death star moon”.

According to Frederick Ordway, “2001: A Space Odyssey” began production with Jupiter as the intended destination of the “Discovery” mission. In his piece “2001: A Space Odyssey in Retrospect”, Ordway states that Kubrick decided (in September 1965) to change the setting to Saturn.

Kubrick apparently:
“persisted, pointing out the beauty of the Saturnian ring system and the spectacular visual effect of the Discovery’s travelling near or even through it. Would I do some investigation and prepare a memo outlining the latest knowledge of Saturn, its rings, and its moons, he asked? And would I focus on anything that seemed out of the ordinary, something intriguing and unexplainable that Arthur Clarke might weave into a revised screenplay? I prepared the memo, Kubrick was delighted, and Clarke backed the change with great enthusiasm. He brilliantly wrote Jupiter out and Saturn in. Everyone was happy, except for Wally Veevers, Doug Trumbull and others in the Special Effects Department. Despite their wizardry, they felt uncomfortable with the thought of having to accommodate the Discovery's moving within the Saturnian ring system. On top of all their problems, they were not in the mood to tackle a new one that might prove intractable. Anyway, they were all under severe time restraints on myriad other parts of the film.Special effects carried the day as far as the motion picture was concerned. But Clarke was so delighted with Saturn that he maintained it as the target planet in the novel version.” http://www.visual-memory.co.uk/amk/doc/0075.html

By this account, the Saturn premise was ditched due to time limitations and the restrictions of the available effects technology and the film returned to the Jupiter setting. According to Ordway, an atmosphere of tension lingered over the remainder of the production (particularly from Kubrick) following the return to the Jupiter locale.

It has also been suggested that Saturn was always the intended target and that the effects team did attempt to realise Saturn, but that “the production was unable to develop a convincing rendition of Saturn's rings; hence the switch to Jupiter.” The film’s special effects supervisor Douglas Trumbull continued to work towards resolving the technical problems involved in reproducing Saturn's rings. In 1972, he directed the film “Silent Running” and employed “effects developed but not completed for 2001.” http://www.thespacereview.com/article/1337/1 

As an interesting aside, Trumbull employed actor Bruce Dern as his lead man for the Saturnian eco-epic “Silent Running”. Dern was a firm fixture of the Laurel Canyon scene and one of a group of Canyon actors (including the likes of Peter Fonda, Warren Beatty, Jack Nicholson, Dennis Hopper, Jane Fonda, etc.) known as “The Young Turks”. Researcher Dave McGowan describes the Canyon scene as one that was once associated with “Masons, the FBI, the OSS, the CIA, the secret society known as ‘Skull and Bones’, the Rothschild family, military intelligence of every conceivable stripe, the O.T.O., the RAND corporation, the ‘Neocon’ cabal and just about every other nefarious group that regularly pops up in ‘conspiracy’ literature.”
http://konformist.com/archives/2009/03-2009/inside-the-lc-08.txt

Interestingly, Bruce Dern’s paternal grandfather was FDR’s secretary of war and defence. http://en.wikipedia.org/wiki/George_Dern

He also had a maternal uncle (Archibald MacLeish) who was FDR’s Director of the War. Department’s Office of Facts and Figures (War Propaganda). http://www.loc.gov/about/librarianoffice/macleish.html

MacLeish was also a member of the Skull and Bones secret society (class of 1915, one year before Prescott Bush.) http://en.wikipedia.org/wiki/Archibald_MacLeish#Early_years

During a March 6, 2011 interview on Red Ice Radio, Jay Weidner disputed the claim that the limitations of the available special effects technology had scuppered Kubrick’s intention to realise Saturn. He asserted that Kubrick was pressured to make the changes by highly placed occultists “worried that the film was too blatant in its depiction of the role played by Saturn in their occult human transmutation agenda.” http://www.redicecreations.com/radio/2011/03/RIR-110306.php

Some researchers have suggested that these possible “high placed occultists” may have also had NASA connections, given the documented connection between the film’s production and the agency. There may be other subtle clues to the Saturn Worship/NASA crossover – such as the naming of the “Saturn” rockets that were intricate to the Apollo programme.


According to Troy McLachlan, “In dealing with these occult NASA insiders while faking the Apollo 11 landings, Kubrick would have been initiated into their perception that humanity’s destiny is inextricably linked to an occult and metaphysical understanding of Saturn.” http://saturndeathcult.com/crimes-of-the-saturn-death-cult/stanley-kubrick-and-the-saturn-death-cult/

To be concluded...

http://thetruthseekersguide.blogspot.co.uk/2014/01/the-stanley-kubrick-conspiracy-part-1.html
http://thetruthseekersguide.blogspot.co.uk/2014/01/the-stanley-kubrick-conspiracy-part-2.html
http://thetruthseekersguide.blogspot.co.uk/2014/01/the-stanley-kubrick-conspiracy-part-3.html
http://thetruthseekersguide.blogspot.co.uk/2014/02/the-stanley-kubrick-conspiracy-part-4.html
http://thetruthseekersguide.blogspot.co.uk/2014/02/the-stanley-kubrick-conspiracy-part-5.html
http://thetruthseekersguide.blogspot.co.uk/2014/02/the-stanley-kubrick-conspiracy-part-6.html
http://thetruthseekersguide.blogspot.co.uk/2014/02/the-stanley-kubrick-conspiracy-part-7.html
http://thetruthseekersguide.blogspot.co.uk/2014/02/the-stanley-kubrick-conspiracy-part-8.html


Kubrick Related Articles:
Updates, 6th Annual British Exopolitics Expo & More Stanley Kubrick Apollo Fakery - http://thetruthseekersguide.blogspot.co.uk/2014/11/updates-6th-annual-british-exopolitics.html
Foxes, Saturn, Kubrick, Doctor Who and The Singularity - http://thetruthseekersguide.blogspot.co.uk/2014/08/foxes-saturn-kubrick-doctor-who-and.html
A Movie About Kubrick Faking the Moon Landing? - http://thetruthseekersguide.blogspot.co.uk/2014/07/a-movie-about-kubrick-faking-moon.html
Stanley Kubrick - Updates - http://thetruthseekersguide.blogspot.co.uk/2014/04/stanley-kubrick-updates.html


Books available from Carl James:
Science Fiction and the Hidden Global Agenda - Volume One - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-one/paperback/product-23209429.html
Science Fiction and the Hidden Global Agenda - Volume Two - http://www.lulu.com/shop/carl-james/science-fiction-and-the-hidden-global-agenda-2016-edition-volume-two/paperback/product-23209433.html
What Really Happened at the London 2012 Olympics - http://www.lulu.com/shop/carl-james/what-really-happened-at-the-london-2012-olympics/paperback/product-23221527.html